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Istituto cultura italiana NCLE/Articles/Gloria Maritan - Prova Data Visualization

2020-03-27T10:25:53Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Prova Data Visualization
|Authors=Gloria Maritan
|year=2020
|Page name=Istituto cultura italiana (NGO)/Articles/Gloria Maritan - Prova Data Visualization
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Istituto cultura italiana NCLE/Articles/Gloria Maritan - Prova Data Visualization

2020-03-27T10:25:03Z

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|Title=Prova Data Visualization
|Authors=Gloria Maritan
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Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T14:00:06Z

Gloria.maritan:

{{Form article
|Type=article
|Title=South Caucasian Women Photography-Panel
|Authors=Gloria Maritan
|year=2020
|Tags=photography, event, caucas, georgia, women
|Page name=Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel
}}
'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka Gujabidze==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03 Anka Gujabidze.png
</gallery>

==FIVE SECOND RULE – Mano Svanidze==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Mano Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Nata Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Lilith Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191714 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191745 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 194540 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201707 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201724 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202304 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202403 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 203251 HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Perché dovresti fare l’esperienza dell’ESC

2020-03-26T13:59:47Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Perché dovresti fare l’esperienza dell’ESC
|Authors=Luca Speziale
|year=2020
|Page name=Istituto cultura italiana (NGO)/Articles/Luca Speziale - Perché dovresti fare l’esperienza dell’ESC
}}
Mi è stato chiesto se avessi voglia di raccontare la mia esperienza ESC, ho risposto positivamente perché anche se ancora non completa, posso affermare che con pochi mesi ho imparato moltissimo e spero che il racconto della mia esperienza possa spingere altri giovani a fare lo stesso.

Premessa, il mio ESC non si sta svolgendo in una delle mete “tradizionali”, infatti, sono finito nel Caucaso settentrionale, in Georgia a Tbilisi per la precisione. Questo è un paese neighbor (ovvero una nazione con un piede in Europa e l’altro ancora fuori).

Avevo già avuto altre esperienze come brevi scambi giovanili e già avevo viaggiato abbastanza, ma il Caucaso mi ha sorpreso.

Consiglio di fare esperienze di questo tipo in paesi come la Georgia, innanzitutto perché qui si può fare molto per il prossimo, ad esempio: l’NGO con la quale collaboro eroga lezioni di lingua italiana a prezzi abbordabili anche per la popolazione autoctona. Lo so, non sarà come combattere la febbre gialla sulla linea dell’equatore, ma nel tuo piccolo, con i tuoi laboratori informali, tramite le letture in lingua, tu stai aiutando persone che probabilmente non avrebbero potuto accedere a questo tipo di sapere. Puoi fare veramente la differenza per qualcuno.

Il secondo motivo per scegliere paesi borderline è che ti confronti con qualcosa di diverso che a mio avviso spesso è positivo, soprattutto se si è giovani. La cultura georgiana è sicuramente differente da quella della nostra calda penisola, a partire dalla mentalità, alla tradizione culinaria, alla religione, al modo di salutarsi e tanto altro, ma ha da offrire tanto: una popolazione gentile e cordiale, ottimo vino e formaggi, e stranamente comincia a non dispiacerti più quella differenza di 10 gradi in meno che c’è tra Roma e Tbilisi.

Ancora, il terzo motivo che dovrebbe spingere i giovani europei a fare questa esperienza è che stando qui a lungo scopri che il mondo non è composto dai 32 paesi UE. Dico questo perché Tbilisi è un meltingpot di popolazioni e tradizioni, lo si evince già dall’architettura della città, influenze ottomane, armene, ebraiche, russe addobbano e decorano i volti degli edifici (e chissà quante altre che a me sfuggono).

Ho conosciuto un varietà di umanità che difficilmente trovereste in Europa. Qui ovviamente vivono comunità di armeni, russi, ucraini, turchi e azeri, ma ci sono indiani (molti dei quali sono giovani studenti che frequentano l’università qui a Tbilisi), ho incontrato anche diversi siriani, qualche iraniano, giordani, americani e australiani (per lo più backpackers in viaggio per il Caucaso) e qualche kazakho. Non mancano poi turisti europei, però qui forse sono la cosa che mi colpisce di meno. Insomma, un’umanità variegata popola e vive Tbilisi, facendoti abbandonare una visione eurocentrica della realtà.

Concludo con un ultimo motivo, qui c’è una piccola comunità di italiani, non è amplia come quella di New York, Londra o Berlino, ma vi assicuro che i nostri connazionali sono arrivati anche qui e tanti si sono integrati molto bene, suggeriscono addirittura di fare business qui: un mercato in crescita, flessibile e con prospettive di un futuro in Europa hanno spinto diverse persone ad aprire le loro attività qui.

Quindi ecco, per questi motivi dovreste fare l’ESC in Georgia, non solo per le varie skills (professionali e personali) che potrete affinare, ma anche per contribuire al miglioramento di una società svantaggiata ed ampliare il vostro bagaglio di esperienze e prospettive.

[[Category:EVS]]

Istituto cultura italiana NCLE/Articles/Incontro con Irakli Avalishvili di Luca Speziale

2020-03-26T13:59:10Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Incontro con Irakli Avalishvili di Luca Speziale
|Authors=Luca Speziale
|year=2019
|Page name=Istituto cultura italiana (NGO)/Articles/Luca Speziale - Incontro con Irakli Avalishvili di Luca Speziale
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[[File:Istituto cultura italiana (NGO)/Articles/Incontro con Irakli Avalishvili di Luca Speziale/20191122_172255.jpg|thumb]][[File:Istituto cultura italiana (NGO)/Articles/Incontro con Irakli Avalishvili di Luca Speziale/20191122_172428.jpg|thumb]]

Il 22 novembre scorso, l'Istituto Cultura Italiana (NGO) di Tbilisi ha avuto la fortuna di ospitare Irakli Avalishvili. Per chi non lo conoscesse Irakli è un talentuoso pittore georgiano con una laurea in fisica teorica, veterano della guerra in Abkhazia, padre di cinque figli e uomo che ha vissuto in età adulta la caduta del blocco sovietico, le “[https://it.wikipedia.org/wiki/Rivoluzioni_colorate rivoluzioni colorate]” e sta vivendo i cambiamenti sociali che attraversano la società georgiana in questo momento.
Questi attributi però non sono sufficienti a raccontare a tuttotondo quest'uomo, le sue passioni e chi sia realmente.
Irakli è già da tempo un amico dell'Ici, infatti già l'anno passato era stato così gentile da concedere il proprio tempo all’istituto. (Per visualizzare il precedente intervento [https://topway.it/ici/en/news-en/meeting-with-irakli-avalishvili/ clicca QUI]).

Veniamo all'incontro: l'intervista con il pittore è iniziata intorno alle 17:00, si è tenuta presso la sede dell'Istituto nella città di Tbilisi. A vederlo il Sig. Avalishvili non dimostra gli anni che ha (circa 70 anni), è una persona ordinata, ben vestita, dai modi cordiali e gentili.
Dopo i primi convenevoli i collaboratori dell'Istituto iniziano a fare domande all'ospite. Inizia Luca Speziale, laureato in scienze politiche all'università di Roma, esordisce con una domanda che verte sulla situazione politica: <strong>"Signor, Irakli può raccontarci com'era vivere in Georgia durante il periodo sovietico e quali erano le maggiori differenze?" </strong>

Irakli mostra sin dalla prima domanda una certa capacità linguistica non indifferente per un uomo della sua età. Ci racconta di come sotto l'Urss per certi versi la vita era più facile lavorativamente parlando, ci dice che il sistema sovietico offriva una certa stabilità economica che secondo lui oggi giorno manca. Sotto al profilo dei diritti e delle libertà dice che non c'è dubbio che oggi ci sia più libertà, meno corruzione; anche sotto il profilo dell'arte c’è stato un miglioramento. A suo dire, sembrerebbe che in epoca sovietica addirittura l'Accademia di belle arti fosse un posto in cui la corruzione era la moneta corrente. Ci racconta di come avesse tentato di continuare gli studi in quel luogo, ma tra il lavoro, la famiglia, la corruzione che portava ai vertici chi se lo poteva permettere e gli impegni di tutti i giorni, non sia riuscito a terminare i suoi studi.

I presenti restano tutti un po' spiazzati dalla risposta dell'uomo, elaborata finemente, tende ad un certo grado di oggettività, quasi un punto di partenza per una qualche analisi di tipo sociologico.

Continua con un aneddoto molto interessante, ci racconta di come la zia (o cugina) di sua nonna abbia avuto come testimone di nozze Iosif Vissarionovič Džugašvili, meglio noto come Iosif Stalin.

Luca Speziale, cogliendo la palla al balzo, ed esaltato dalla risposta dell'intervistato domanda: <strong>"Sig. Irakli cosa pensa di Stalin e dell'Urss in generale il popolo Georgiano?"</strong>

Irakli ribadisce che appunto c'erano pro e contro della vita sotto l'Unione Sovietica, i pro sicuramente erano la sicurezza socio-economica che l'Unione offriva, l'opportunità di poter viaggiare all'interno dell'Urss, lui stesso ci racconta che come fisico aveva soggiornato a Mosca e a Riga per alcune convention scientifiche; di contro la corruzione, era molto diffusa. Ci racconta - sorprendendoci - come una fetta della popolazione abbia una certa nostalgia del sistema sovietico, sua madre per esempio era una fervida sostenitrice di Stalin come molti altri a suo dire, nonostante i molti arresti effettuati in Georgia in quegli anni.

Luca Speziale va avanti con le domande, gli domanda <strong>se ha mai attraversato la vecchia cortina di ferro</strong>, Irakli risponde affermativamente, comincia a parlare di Vienna, di quanto gli sia piaciuta, del fascino dell'arte di quei luoghi e di lì in poi il discorso ha cominciato a vertere quasi esclusivamente sull'arte.
Ci mostra locandine in cui compaiono i suoi quadri, fotografie su di uno smartphone e comincia a parlare con l'altra collaboratrice dell'Istituto Gloria Maritan, giovane laureata allo IUSVE. Tommaso, un collaboratore dell'Istituto, la presenta come giovane artista talentuosa, lei arrossisce e imbarazzata nega ma intanto fra lei ed Irakli si crea un bel feeling, cominciano a parlare di arte, dell'utilizzo dei colori, dalle parole di Irakli si capisce come egli sia particolarmente attento a questo aspetto, al di là della tecnica la sua attenzione è volta all'utilizzo del colore.
I suoi quadri ci ricordano scene oniriche, i contorni non sono ben delineati, in contrasto invece con i colori decisi. Dipinge tele con colori ad olio.

A questo punto la domanda è d'obbligo: <strong>"Sig. Irakli quali sono gli autori che più le piacciono?"</strong>
Esordisce con Leonardo Da Vinci, ne tesse le lodi come le antiche moire i fati dei mortali, per lui è un genio assoluto. Lo apprezza sia come artista che come uomo di scienza, un binomio comune anche al nostro intervistato. Avalishvili ci parla non solo del fiorentino come uomo di arte dai prodigiosi talenti, ma delle macchine di Leonardo e di come queste abbiano influenzato o comunque ispirato la modernità.
Il suo lignaggio artistico non si esaurisce però con l'autore toscano, cita una carrellata di nomi tra i quali spuntano gli impressionisti: Monet, Manet, Van Gogh; va avanti con Salvador Dalì; si torna all’Italia con Tiziano e capitoliamo parlando del primitivismo, arte che scopriamo avere un certo seguito da queste parti.
Un mare di nomi, opere e stili artistici ci investe, si percepisce tanta passione nelle sue parole. Sulla scia di quanto affermato i collaboratori dell’Ici ne approfittano per vedere se l’uomo è a conoscenza di altri due autori che potrebbero interessarlo: <strong>Escher e Basquiat</strong>.

Su Escher, Irakli ci sorprende di nuovo, infatti scopriamo che è un suo estimatore, e che ne apprezza tantissimo le simmetrie; quanto a Basquiat un po’ meno, aveva intravisto forse qualche opera, ma lo apprezza ugualmente, da qui, il nostro loquace ospite ci parla di Pirosmani, autore di punta della falange artistica georgiana, oggi esposto al museo nazionale d’arte di Tbilisi in Viale Rustaveli.
L’autore continua a farci vedere foto sul telefono delle sue creazioni, tra le quali però spuntano anche le opere dei figli.
Ebbene sì, nella famiglia di Irakli anche i figli hanno preso dal padre, infatti due dei suoi figli sono altrettanto talentuosi come il padre.
È il momento dei saluti, convenevoli a parte, un attimo prima di uscire di scena insieme a Tommaso, Irakli ci mostra un libro da lui pubblicato: “[https://www.amazon.ca/Apply-Graph-Extension-Function-Nature/dp/6134990442 Apply of Graph Extension Function in Nature]”. Ci stringiamo la mano con l’augurio di rincontrarci. Un epilogo degno di un bell’incontro georgiano.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Recensione articolo "Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia"

2020-03-26T13:58:48Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
|Authors=Mattia Boldoni
|year=2019
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni - Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
}}
[[File:Istituto_cultura_italiana_(NGO)/Articles/EJ1067072.pdf|thumb|link=https://culturaitaliana.org/w/en/images/Istituto_cultura_italiana_(NGO)/Articles/EJ1067072.pdf]]
Negli ultimi dieci anni, la Georgia ha ricevuto un forte sostegno internazionale per riformare il proprio sistema educativo. L'articolo vuole valutare l'efficacia di questi interventi nella regione, partendo da una variabile che può dare notevoli delucidazioni sullo stato dell'istruzione in Georgia: l'insegnamento privato a domicilio. L'indagine rappresentativa sugli studenti in età scolare o iscritti all'università descrive la portata e gli effetti del tutorato privato in Georgia. Questi risultati vengono quindi utilizzati per analizzare l'efficacia del sistema in termini di qualità ed equità.

Dai risultati raggiunti, si possono evincere importanti cambiamenti frutto delle riforme, ma anche molte sfide e rischi, notevoli situazioni residue di arretratezza e non competitività del sistema educativo.
Il ricorso all'insegnamento privato in Georgia è diminuito a seguito delle riforme del sistema educativo, ma rappresenta ancora una sostanziale attività parallela all'istruzione tradizionale (statale e privata).
La bassa qualità dell'educazione tradizionale, infatti, continua ad alimentare il tutorato privato per ragioni compensative in tutte le fasi dell'istruzione, a dimostrazione che, nonostante numerose riforme strutturali e concettuali, le scuole spesso non riescono a raggiungere i risultati prefissati.

Le ricerche accademiche sostenute in altri paesi sottoposti a riforme simili nel settore dell'istruzione suggeriscono che le radici del problema potrebbero risiedere nella riforma stessa. In particolare, le ricerche sul fenomeno in diversi paesi d'Europa e nei paesi post-sovietici illustrano che uno dei motivi per cui le scuole non raggiungono i risultati prefissati è un curriculum sovraccarico. I cambiamenti, certamente, ampliano gli orizzonti e le possibilità accademiche, ma rappresentano anche anche un peso aggiuntivo per gli alunni. Inoltre, le scuole sono incoraggiate a passare dall'apprendimento centrato sull'insegnante, che era comune durante il periodo sovietico, a quello mirato sullo studente, che può essere più efficace, ma che è una sfida per la preparazione degli insegnanti stessi. Questi ultimi, infatti, trovano difficile assumere nuovi doveri e obblighi o accumulano un ritardo eccessivo nell'adottare cambiamenti. I responsabili politici, quindi, devono tener conto delle esperienze simili, in cui le riforme del curriculum hanno portato a un'espansione dell'<em>istruzione ombra</em> (tutorato privato) piuttosto che a una sua contrazione.

Lo studio, in aggiunta, mostra anche il disallineamento tra il contenuto del curriculum scolastico e i requisiti di ammissione all'istruzione superiore, che rende necessario un perfezionamento della preparazione tramite l'insegnamento privato. Di conseguenza, i risultati dello studio sollevano anche preoccupazioni circa la questione dell'equità nel sistema di istruzione formale in Georgia, adducendo prove empiriche sull'influenza sostanziale della preparazione privata sull'iscrizione all'istruzione superiore. Le disparità nell'accesso al tutorato privato da parte di ricchi e poveri comportano, quindi, un accesso limitato all'istruzione superiore per gli studenti con status socioeconomico inferiore.

Come riporta l'autrice, le conclusioni di questo studio seguono un trend comune ad altri studi svolti in altre parti del mondo. I policy-makers georgiani dovranno quindi tener conto dei limiti delle riforme apportate e concentrarsi sul'implementazione della qualità del sistema educativo e dell'equità delle possibilità di accesso a questo.

[[Category:Reviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili

2020-03-26T13:57:37Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Irakli Avalishvili
|Authors=Mattia Boldoni, Gabriele Rota
|year=2019
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni, Gabriele Rota - Meeting with Irakli Avalishvili
}}
'''Tbilisi, January 2019'''

On 23 January, at the Institute's office located on the IV floor of III building of Georgian public broadcaster (1st channel), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Avalishvili, physicist and talented painter as well as Tommaso's close friend.

Tommaso presented Irakli as a physicist and painter. Irakly replied this presentation telling that his main interest is by now art, thus if the Institute's members cannot tell at the moment of the writing of the report, how Irakli eventually argumented this shift of his current interests, of whether he just felt himself more comfortable talking with Mattia, Gabriele and Tommaso about art, rather than about science.

Irakli looked around, addressing his glance towards the white walls of the office, and Tommaso took the opportunity to asking him what he thought about them.

Indeed, Irakli was present during the first installation of the Institute at this office, since when it was in bad state, with the walls sprinkled with screws and cartons placed therein in order to soundproof the room, and holes and moisture spots.

Irakli was present in that very first moment, and he provided Tommaso with the help of Alek ...., in turn painter, who helped Tommaso with the renovation of the office in a first moment. Indeed, Tommaso did not delegated completely such renovation, but (as he could) participated with it and now he was proud to showing the results to everybody.

Also, Irakli told something about Alek, the painter (as well as master) who participated and started the renovation work, which once more who now is writing cannot precisely remember.

In his turn, Tommaso pointed out that the general condition of the office, was now "not perfect, but much better" than the initial condition, and he ascribed, indeed, all the imperfections and the amateurish elements of the work, to his own participation.

Irakli looked around a bit more and asked about a print of a painting behind Tommaso's shoulders, and ... Tommaso laughed, having misunderstood the reference of Irakli's interest, to something else. When he realized that he was referring to the printed painting posted on the bulletin board of the classroom, he explained to Irakli that it was a work by a painter living behind the parliament, on the street which ascends from Ingorvoka st., who makes nice, but a bit childish paintings.

Irakli at first did not understand this word, which Tommaso repeated several times, then Tommaso tried to express the concept: these paintings tends to be all "bi-dimensional", they don't have, by definition, a great depth, and so on. At the same time Gabriele tried to use -- with his linguistic sensibility -- other synonyms to express the same word, and likely Irakly understood.

Also, Tommaso presented, or tried to do so, the art of Irakli himself to Mattia and Gabriele, telling that in his opinion his paintings are "really wonderful", and that they have a visionary and dreamlike character, which is very difficult to achieve.

Here, he would add that a visionary and dreamlike character is so difficult to paint precisely because you are prevented to observe it, and because it is undefined by definition: precisely like dreams are.

Then Irakli added that somebody else defined his art ... something that once more who write cannot remind whilst writing down this report, and then he added, with regard to that definition received by somebody else, that in the classic times there were all the styles nowadays considered modern, and he formulated a fairly precise list. [ask to Irakli to remind about it]

Of course that statement was interesting and all of them, Tommaso and Gabriele and Mattia wrote it down in their minds.

Then Irakli started to talk about his sons, Koka and Niko, who also demonstrated a similar, and possibly even greater, talent for art. He presented the first as being very rational and “realist” in his works, while the other, Niko, in Irakli words, is “pure talent”.

Then Irakli did a statement extremely nice and in a way paradigmatic. He said that his own art is in the middle between that of Kaka, and Niko. (his sons)

In other words he explained something that, supposedly, comes first, through something which came later, overturning the usual way of reasoning a showing a deep and admirable respect for his own sons.

Indeed, Tommaso since the beginning presented Irakli to Mattia and Gabriele as somebody to be known namely for his family and his personal history. Besides being (theoretical) physicist and painter, even if objectively his art achieves a greater level of completeness in the first case rather than in the second, he has also been war veteran, and has an high number of children, all different and recently entered in the adult age, with whom he lives as an older brother, rather than as a "father", and sharing with them, probably
as a peer, the loss of his wife and children's' mother, occurred several years before.

Tommaso, being aware of the richness of this family, and recognizing a certain similarity between Mattia and Niko, had the intention to let the one get acquainted with the other [or: "to make one another known"], as one can find in [https://topway.it/nuepress/dist/1-dicember-2018-tbilisi this history], which had precisely this presupposition.

Who now is writing and integrating such report has also to add that whilst Irakli and Tommaso were talking about the condition of the new office, there was a mention from Irakli regarding a quite big and interesting space, for which both had fairly long negotiations, which indeed was own by the "Georgian Afghan war veterans", or even more precisely (as Tommaso noted) "Union of Georgian Afghan war veterans".

When Irakli mentioned that space, informally named between the two as "Kommissariat", for being the old seat of a commissariat in the upper Sololaki area, Tommaso described it shortly to Mattia and Gabriele, as a space towards which they have interest as a headquarter for the Institute, and to be considered very useful and appropriate for the use during spring and summer (if not well heated during the winter), both for the position, being surrounded by the nature and at the same time located in the city's centre, and for its big size. (this considerations took place, conceivably before talking about art, as mentioned)



Following again the discourse focused on art, many elements of the conversation can indeed be traced back to the [https://topway.it/nuepress/dist/meeting-with-irakli original summary] written down by Gabriele, with the difference, in the opinion of the writer, that the mention of his sons preceded, and did not follow, such a discourse.

Irakli associated from the beginning the realism in art with his son Koka, an approach for which indeed is necessary a specific preparation and "hard work", and a more unconstrained expression of one's artistic talent to his son Niko (a nickname for Nikoloz, while Nikoloz itself is a "placeholder", a "replacement", a substitute, for the official name, which is ...).

Irakli recognized an extraordinary talent for colors to his son Niko, who indeed preferred to deploy his talent, and to use his time, creating wooden accessories with artistic value, that is not renouncing the artisan and material aspect of art which at the moment, and probably due to his young age and education, he feels as necessary.

Irakli also mentioned something that Tommaso found very significant and in certain way new. He said to prefer himself painting landscapes and nature and eventually flowers, because nature is, almost by definition, a subject where the artist can find more freedom, and which is less saturated, in some way, of conventional "mannerisms", which on the other hand, in some way by definition characterize the human field.

In this sense, Irakli often says about himself to not being "a great portraitist", both in adherence to the statement above expressed, that is that he feels himself in the middle between the realism in art, and an unconstrained expression of one's talent, and because indeed being "a great portraitist" requires confronting oneself with the human sphere, or continuously, or as a requisite, and with all that is conventional, which indeed the dreaming soul of Irakli, does not refuse absolutely, but tends to avoid.

In other words, Irakli defines himself not "a great portraitist" partly for the kind of preparation (he did not have a rigorous artistic preparation, and he came to art instinctively or following biographical events) and partly as an aspiration, and for something indeed intimately connected to his art, which is not such as to be considered "worldly" ("mondana"), not something connected to "man", and his world, but rather as something evocative and imaginary related to, eventually, another world and, still eventually (except that his paintings are in some way lonely, deserts, as lacking of a known presence) -- other beings.

Irakli said that flowers represent, in his opinion, a subject where the absolute lack of artistic constraints almost converges, and in this view he mentioned the overwhelming artistic production on this subject of his son Niko (it is indeed correct the mention of his participation to an exhibition at the National library of Tbilisi, with 70 or 80 paintings on this subject).

To express this idea, the lack of constraints, of mannerism on that specific subject, Irakli used a specific expression, or he expressed the concept in turn in some unconventional way, but I who now write, at a certain distance from the event, cannot remind it precisely. Perhaps he used the word "format", to express the set of conventions related to a specific subject, or some other more significant word and expression, which indeed had the effect to awaken the attention of the interlocutors.

It is possible that, for his predilection for an artistic expression based on colours, he viewed to the flowers, as a subject at the same time place of election, almost of origin, of colours, and of the unconventional in art, a territory and a realm where the human sphere does not dare, or must not dare to intervene or influence: indeed one of the dominant traits of the character of Irakli is delicacy, which is perfectly conform to all this conception.

Whilst Irakli was doing such discourse, he was indeed sliding his long photographic gallery on his smart phone, showing in a first moment, as reported by Gabriele, his sons' paintings, and in a second moment his own paintings.

He therefore showed some hand-made art objects created by Niko, some Koka's painting (of which, however, Mattia will have had -- and he has at the moment of the writing of this story -- a better idea following a visit in the house of Irakli himself), he probably showed some Niko's paintings or drawing representing his artistic talent as painter (a path that indeed he regrets to him) and equally likely a painting which he sold for a discrete amount of money to a Turkish customer: Tommaso did not follow the discourse at this point because he was not interested to the commercial/promotional aspect of the artistic presentation, or he did not feel to be provided by Irakly with all the details which would have made this passage interesting. Perhaps the information of "time" and the "place" of the episode were missing, so that Tommaso was just non able to represent the related scene in the proper way.

Irakli also added that still his son Niko (upon which was focused a good part of the conversation) participated to a street market, with a stand for selling his artistic works. This time Tommaso was able to represent appropriately the scene, settled down in Rustaveli avenue, and asked how much these stands costed during the manifestation. Irakli answered that they costed 300 hundreds GEL for the entire duration of the manifestation, lasting 2 or 3 days, and Tommaso said that it appeared to be a great price, considering that in Europe, for similar activities, one has to invest amounts of money considerably greater.
(then one asks himself why home-made products are so expensive, and the answer is that the prices have to cover the bad management of the municipality)

Then it is possible that Irakli showed some of his paintings from his smartphone's gallery. Among many beautiful and significant paintings he had, he showed one representing "Hillary Clinton" (or a figure which he presented as such) in front of the US's White House.

Irakli said to Mattia and Gabriele that Tommaso did, regarding that painting, an observation quite interesting, that is that the subject of the scene ("Hillary") was a little "flat" and lacked of some depth that on observer would expect. Irakli appeared to agree with this information, even if (obviously) to take the subsequent measures requires additional work, and the preparation of an "art studio" which Irakli did not have yet ready at the moment.

Besides that, Tommaso admired of this painting the enthusiastic and elevated look of "Hillary" (the subject of the painting, or the human figure of the painting), and he thought that whatever person will be very gratified of being painted with such look ("sguardo") and that often, elapsed the times of youth, when you cannot distinguish the dreaming upon the world, from the world itself, such look is replaced by something much more pragmatic and "terrestrial", which at bottom does not honor man (and the woman).

Tommaso also said that the dress of "Hillary", in this picture, reminded the dresses of some Bronzino's painting, very elaborated and complex.

Then, it is possible that there was some other mentions to artists. Tommaso, probably in a first time of the conversation (when Irakli was talking about the different styles in art, and about his own style) mentioned Francis Bacon, as an artist to be regarded. (and he described his style shortly)

Then, still in accordance with the report written down by Gabriele, Irakli addressed to Gabriele and Mattia asking more about themselves, and actually about their city of origin. Mattia answered, as always "from a village besides Perugia", and Gabriele as always answered "from a village near Milan" (in the latter case giving a sense of proximity to a famous Italian metropolis of international value).

When Irakli heard the word "Perugia" he had a lightning and told something like "Perugin..." (premised by something that I don't remember) and when Tommaso heard the word "perugin" he laughed perhaps a little inappropriately for the second time thinking to the chocolate producer (for which Perugia is indeed also famous).

But the wise Irakli was indeed referring to Pietro Vannucci called "perugino", as also reported by Gabriele, and following, probably, as also mentioned, he talked about "his school memories" and "other Renaissance Italian artist".

It is possible than then Tommaso asked if he was remembering some other Italian artist, and then Irakli did a note about memory of great interest and acumen.

It was about the different kind of memories, that one can have, and the fact that one's memory is naturally addressed to very specific subjects. But of this note I cannot remind more, and whatever element I would add would be totally arbitrary and not conform to the facts or to the ideas and intention of Irakli, so that I can rightly abstain of striving more.

At the end of the meeting -- during which Irakli, in his beautiful and consistent figure, remained well wrapped in his clothes, because the office was oddly cold -- Irakli stood up with the plan to head to an exhibition (fixed at 17.00 in the city centre) and Tommaso went behind him.

Tommaso, that day, had the soul engaged in some other important task, so, while he was walking with him in direction of the bus stop of Dolidze st., his attention was captured by different and remote things, and he was not able to thank appropriately Iralki Avalishvili when he went away, or eventually to follow him.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili

2020-03-26T13:57:23Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Irakli Avalishvili
|Authors=Mattia Boldoni, Gabriele Rota
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni, Gabriele Rota - Meeting with Irakli Avalishvili
}}
'''Tbilisi, January 2019'''

On 23 January, at the Institute's office located on the IV floor of III building of Georgian public broadcaster (1st channel), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Avalishvili, physicist and talented painter as well as Tommaso's close friend.

Tommaso presented Irakli as a physicist and painter. Irakly replied this presentation telling that his main interest is by now art, thus if the Institute's members cannot tell at the moment of the writing of the report, how Irakli eventually argumented this shift of his current interests, of whether he just felt himself more comfortable talking with Mattia, Gabriele and Tommaso about art, rather than about science.

Irakli looked around, addressing his glance towards the white walls of the office, and Tommaso took the opportunity to asking him what he thought about them.

Indeed, Irakli was present during the first installation of the Institute at this office, since when it was in bad state, with the walls sprinkled with screws and cartons placed therein in order to soundproof the room, and holes and moisture spots.

Irakli was present in that very first moment, and he provided Tommaso with the help of Alek ...., in turn painter, who helped Tommaso with the renovation of the office in a first moment. Indeed, Tommaso did not delegated completely such renovation, but (as he could) participated with it and now he was proud to showing the results to everybody.

Also, Irakli told something about Alek, the painter (as well as master) who participated and started the renovation work, which once more who now is writing cannot precisely remember.

In his turn, Tommaso pointed out that the general condition of the office, was now "not perfect, but much better" than the initial condition, and he ascribed, indeed, all the imperfections and the amateurish elements of the work, to his own participation.

Irakli looked around a bit more and asked about a print of a painting behind Tommaso's shoulders, and ... Tommaso laughed, having misunderstood the reference of Irakli's interest, to something else. When he realized that he was referring to the printed painting posted on the bulletin board of the classroom, he explained to Irakli that it was a work by a painter living behind the parliament, on the street which ascends from Ingorvoka st., who makes nice, but a bit childish paintings.

Irakli at first did not understand this word, which Tommaso repeated several times, then Tommaso tried to express the concept: these paintings tends to be all "bi-dimensional", they don't have, by definition, a great depth, and so on. At the same time Gabriele tried to use -- with his linguistic sensibility -- other synonyms to express the same word, and likely Irakly understood.

Also, Tommaso presented, or tried to do so, the art of Irakli himself to Mattia and Gabriele, telling that in his opinion his paintings are "really wonderful", and that they have a visionary and dreamlike character, which is very difficult to achieve.

Here, he would add that a visionary and dreamlike character is so difficult to paint precisely because you are prevented to observe it, and because it is undefined by definition: precisely like dreams are.

Then Irakli added that somebody else defined his art ... something that once more who write cannot remind whilst writing down this report, and then he added, with regard to that definition received by somebody else, that in the classic times there were all the styles nowadays considered modern, and he formulated a fairly precise list. [ask to Irakli to remind about it]

Of course that statement was interesting and all of them, Tommaso and Gabriele and Mattia wrote it down in their minds.

Then Irakli started to talk about his sons, Koka and Niko, who also demonstrated a similar, and possibly even greater, talent for art. He presented the first as being very rational and “realist” in his works, while the other, Niko, in Irakli words, is “pure talent”.

Then Irakli did a statement extremely nice and in a way paradigmatic. He said that his own art is in the middle between that of Kaka, and Niko. (his sons)

In other words he explained something that, supposedly, comes first, through something which came later, overturning the usual way of reasoning a showing a deep and admirable respect for his own sons.

Indeed, Tommaso since the beginning presented Irakli to Mattia and Gabriele as somebody to be known namely for his family and his personal history. Besides being (theoretical) physicist and painter, even if objectively his art achieves a greater level of completeness in the first case rather than in the second, he has also been war veteran, and has an high number of children, all different and recently entered in the adult age, with whom he lives as an older brother, rather than as a "father", and sharing with them, probably
as a peer, the loss of his wife and children's' mother, occurred several years before.

Tommaso, being aware of the richness of this family, and recognizing a certain similarity between Mattia and Niko, had the intention to let the one get acquainted with the other [or: "to make one another known"], as one can find in [https://topway.it/nuepress/dist/1-dicember-2018-tbilisi this history], which had precisely this presupposition.

Who now is writing and integrating such report has also to add that whilst Irakli and Tommaso were talking about the condition of the new office, there was a mention from Irakli regarding a quite big and interesting space, for which both had fairly long negotiations, which indeed was own by the "Georgian Afghan war veterans", or even more precisely (as Tommaso noted) "Union of Georgian Afghan war veterans".

When Irakli mentioned that space, informally named between the two as "Kommissariat", for being the old seat of a commissariat in the upper Sololaki area, Tommaso described it shortly to Mattia and Gabriele, as a space towards which they have interest as a headquarter for the Institute, and to be considered very useful and appropriate for the use during spring and summer (if not well heated during the winter), both for the position, being surrounded by the nature and at the same time located in the city's centre, and for its big size. (this considerations took place, conceivably before talking about art, as mentioned)



Following again the discourse focused on art, many elements of the conversation can indeed be traced back to the [https://topway.it/nuepress/dist/meeting-with-irakli original summary] written down by Gabriele, with the difference, in the opinion of the writer, that the mention of his sons preceded, and did not follow, such a discourse.

Irakli associated from the beginning the realism in art with his son Koka, an approach for which indeed is necessary a specific preparation and "hard work", and a more unconstrained expression of one's artistic talent to his son Niko (a nickname for Nikoloz, while Nikoloz itself is a "placeholder", a "replacement", a substitute, for the official name, which is ...).

Irakli recognized an extraordinary talent for colors to his son Niko, who indeed preferred to deploy his talent, and to use his time, creating wooden accessories with artistic value, that is not renouncing the artisan and material aspect of art which at the moment, and probably due to his young age and education, he feels as necessary.

Irakli also mentioned something that Tommaso found very significant and in certain way new. He said to prefer himself painting landscapes and nature and eventually flowers, because nature is, almost by definition, a subject where the artist can find more freedom, and which is less saturated, in some way, of conventional "mannerisms", which on the other hand, in some way by definition characterize the human field.

In this sense, Irakli often says about himself to not being "a great portraitist", both in adherence to the statement above expressed, that is that he feels himself in the middle between the realism in art, and an unconstrained expression of one's talent, and because indeed being "a great portraitist" requires confronting oneself with the human sphere, or continuously, or as a requisite, and with all that is conventional, which indeed the dreaming soul of Irakli, does not refuse absolutely, but tends to avoid.

In other words, Irakli defines himself not "a great portraitist" partly for the kind of preparation (he did not have a rigorous artistic preparation, and he came to art instinctively or following biographical events) and partly as an aspiration, and for something indeed intimately connected to his art, which is not such as to be considered "worldly" ("mondana"), not something connected to "man", and his world, but rather as something evocative and imaginary related to, eventually, another world and, still eventually (except that his paintings are in some way lonely, deserts, as lacking of a known presence) -- other beings.

Irakli said that flowers represent, in his opinion, a subject where the absolute lack of artistic constraints almost converges, and in this view he mentioned the overwhelming artistic production on this subject of his son Niko (it is indeed correct the mention of his participation to an exhibition at the National library of Tbilisi, with 70 or 80 paintings on this subject).

To express this idea, the lack of constraints, of mannerism on that specific subject, Irakli used a specific expression, or he expressed the concept in turn in some unconventional way, but I who now write, at a certain distance from the event, cannot remind it precisely. Perhaps he used the word "format", to express the set of conventions related to a specific subject, or some other more significant word and expression, which indeed had the effect to awaken the attention of the interlocutors.

It is possible that, for his predilection for an artistic expression based on colours, he viewed to the flowers, as a subject at the same time place of election, almost of origin, of colours, and of the unconventional in art, a territory and a realm where the human sphere does not dare, or must not dare to intervene or influence: indeed one of the dominant traits of the character of Irakli is delicacy, which is perfectly conform to all this conception.

Whilst Irakli was doing such discourse, he was indeed sliding his long photographic gallery on his smart phone, showing in a first moment, as reported by Gabriele, his sons' paintings, and in a second moment his own paintings.

He therefore showed some hand-made art objects created by Niko, some Koka's painting (of which, however, Mattia will have had -- and he has at the moment of the writing of this story -- a better idea following a visit in the house of Irakli himself), he probably showed some Niko's paintings or drawing representing his artistic talent as painter (a path that indeed he regrets to him) and equally likely a painting which he sold for a discrete amount of money to a Turkish customer: Tommaso did not follow the discourse at this point because he was not interested to the commercial/promotional aspect of the artistic presentation, or he did not feel to be provided by Irakly with all the details which would have made this passage interesting. Perhaps the information of "time" and the "place" of the episode were missing, so that Tommaso was just non able to represent the related scene in the proper way.

Irakli also added that still his son Niko (upon which was focused a good part of the conversation) participated to a street market, with a stand for selling his artistic works. This time Tommaso was able to represent appropriately the scene, settled down in Rustaveli avenue, and asked how much these stands costed during the manifestation. Irakli answered that they costed 300 hundreds GEL for the entire duration of the manifestation, lasting 2 or 3 days, and Tommaso said that it appeared to be a great price, considering that in Europe, for similar activities, one has to invest amounts of money considerably greater.
(then one asks himself why home-made products are so expensive, and the answer is that the prices have to cover the bad management of the municipality)

Then it is possible that Irakli showed some of his paintings from his smartphone's gallery. Among many beautiful and significant paintings he had, he showed one representing "Hillary Clinton" (or a figure which he presented as such) in front of the US's White House.

Irakli said to Mattia and Gabriele that Tommaso did, regarding that painting, an observation quite interesting, that is that the subject of the scene ("Hillary") was a little "flat" and lacked of some depth that on observer would expect. Irakli appeared to agree with this information, even if (obviously) to take the subsequent measures requires additional work, and the preparation of an "art studio" which Irakli did not have yet ready at the moment.

Besides that, Tommaso admired of this painting the enthusiastic and elevated look of "Hillary" (the subject of the painting, or the human figure of the painting), and he thought that whatever person will be very gratified of being painted with such look ("sguardo") and that often, elapsed the times of youth, when you cannot distinguish the dreaming upon the world, from the world itself, such look is replaced by something much more pragmatic and "terrestrial", which at bottom does not honor man (and the woman).

Tommaso also said that the dress of "Hillary", in this picture, reminded the dresses of some Bronzino's painting, very elaborated and complex.

Then, it is possible that there was some other mentions to artists. Tommaso, probably in a first time of the conversation (when Irakli was talking about the different styles in art, and about his own style) mentioned Francis Bacon, as an artist to be regarded. (and he described his style shortly)

Then, still in accordance with the report written down by Gabriele, Irakli addressed to Gabriele and Mattia asking more about themselves, and actually about their city of origin. Mattia answered, as always "from a village besides Perugia", and Gabriele as always answered "from a village near Milan" (in the latter case giving a sense of proximity to a famous Italian metropolis of international value).

When Irakli heard the word "Perugia" he had a lightning and told something like "Perugin..." (premised by something that I don't remember) and when Tommaso heard the word "perugin" he laughed perhaps a little inappropriately for the second time thinking to the chocolate producer (for which Perugia is indeed also famous).

But the wise Irakli was indeed referring to Pietro Vannucci called "perugino", as also reported by Gabriele, and following, probably, as also mentioned, he talked about "his school memories" and "other Renaissance Italian artist".

It is possible than then Tommaso asked if he was remembering some other Italian artist, and then Irakli did a note about memory of great interest and acumen.

It was about the different kind of memories, that one can have, and the fact that one's memory is naturally addressed to very specific subjects. But of this note I cannot remind more, and whatever element I would add would be totally arbitrary and not conform to the facts or to the ideas and intention of Irakli, so that I can rightly abstain of striving more.

At the end of the meeting -- during which Irakli, in his beautiful and consistent figure, remained well wrapped in his clothes, because the office was oddly cold -- Irakli stood up with the plan to head to an exhibition (fixed at 17.00 in the city centre) and Tommaso went behind him.

Tommaso, that day, had the soul engaged in some other important task, so, while he was walking with him in direction of the bus stop of Dolidze st., his attention was captured by different and remote things, and he was not able to thank appropriately Iralki Avalishvili when he went away, or eventually to follow him.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Lasha Kharazi

2020-03-26T13:56:41Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Lasha Kharazi
|Authors=Mattia Boldoni, Gabriele Rota
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni, Gabriele Rota - Meeting with Lasha Kharazi
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141623.jpg|thumb]]
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141709.jpg|thumb]]
After a short presentation of volunteers and EVS Project, Francisco asked to Mattia and Gabriele their opinions and impressions about Georgia and Italian Culture abroad. They said that they have found a strong and unexpected interest and fascination, strengthened by the various offer of cultural events and meetings. They also spoke about the Italian branch of Parliament Library in Tbilisi, sited close to Liberty Square. They have visited this place 2 days before, finding a good diversity of books and volumes. Francisco was quite surprised. He didn't know about this sector and he was interested in visiting it. He also asked about a Spanish branch in the Library, but Mattia and Gabriele didn't know about that.

Then, Francisco started to talk about his tasks here in Tbilisi. As stated in Vienna Convention on Diplomatic Relations (1961) and on Consular Relations (1963), Dr. Capote Yeregui is serving as Consul and Chargè d'Affairs ad Interim of Kingdom of Spain in Georgia. He provides political, cultural and diplomatic assignments. His office is located in Liberty Square, where he works with his secretary and his assistant-driver. Due to the small dimension of Spanish community in Georgia (less than 100 people, in Francisco's opinion), Spain does not have an embassy in Georgia yet. As for [[wikipedia:Azerbaijan|Azerbaijan]], both Consulates depend on Spanish Embassy in Ankara, Turkey. Despite it, in recent future Spanish Embassy will be opened in Tbilisi too, as stated by Francisco.

The aim is to assure diplomatic functions and assistance to whole Caucasus region. But it's a difficult task, deeply linked to [https://culturaitaliana.org/wiki/index.php/Recensione:_Frozen_Conflicts_in_the_Post-Soviet_Space:_What_Will_2019_Bring%3F frozen conflicts] and relations between some Caucasian States, like Azerbaijan and [[wikipedia:Armenia|Armenia]] (now depending on Spanish Embassy in Moscow). Mattia and Francisco totally agreed about conflicting and unsolved situation all along Caucasus. Not only Nagorno-Karabakh, but also Abkhazia and South Ossetia are absolutely relevant problems. For Georgia it's a complex task to solve, but it's necessary to continue on the path of European (and maybe Nato's one) Integration. Mattia and Francisco again agreed about the need of long-term project for feasible and desired Georgian membership. But the solution of several problems, like frontiers' matters and de facto recognition of occupied lands, and the improvement economic and democratic institutions can not be pushed back. So, the slow reform process needs to go on, to wisely prepare the "Eastern stretch" of EU. Meanwhile, relations with Europe are very good and productive. Georgia is the Caucasian country with the highest rate of development and economic growth. As said by Francisco, Spain too has a limited, but nice trade with Georgia in textile, infrastructural and food industry. As stated in a recent ranking, Georgia is the 6th Country in the World in ease to open business. In Francisco's opinion, it could be useful to domestic economy, but some kind of regulations are needed to prevent violations.

Then, talking about their studies, Mattia and Gabriele spoke a lot about [[wikipedia:Bologna|Bologna]], a city which Francisco knows very well. He studied there at Collegio di Spagna, where now is an associate member. He remembered many places, describing them with an impressive photographic memory: the core of academic neighbourhood, Via Zamboni, Humanities Department, the Church of San Giacomo Maggiore, that Francisco suggested us to visit.

At the end, Francisco asked to Mattia and Gabriele their future plans once back in Italy. They answered talking about their proactive research of new opportunities and applications, both in Italy and abroad.He showed an admirable culture and knowledge, results of years of studies and travels, during them he developed a wide network of friendships too. Indeed, Francisco served in Spanish diplomatic corp in different places, such as in Quirinale Delegation in Rome, in [[wikipedia:Mexico|Mexico]] and in [[wikipedia:Saudi_Arabia|Saudi Arabia]].

After 45 minutes of very interesting conversation, Francisco had to leave, due to another appointment. He invited us to replay this meeting in a more informal date. Then, Tommaso brought him to the car.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili by Gabriele Rota

2020-03-26T13:55:56Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Irakli Avalishvili
|Authors=Gabriele Rota
|year=2019
|Page name=Istituto cultura italiana (NGO)/Articles/Gabriele Rota - Meeting with Irakli Avalishvili
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Irakli Avalishvili by Gabriele Rota/Irakli.jpg|thumb]]

'''Tbilisi, 23<sup>rd </sup>January 2019'''

Recently, members of Istituto cultura italiana (NGO), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Aivalishvili, a talented painter and physicist, introduced by Tommaso as his close friend.

After the greetings, art became the main topic of conversation. More specifically, Irakli claimed that different kind of figures and subjects require different kind of attitude and ability.

For instance, in drawing nature, like flowers, woods and landscapes, you need to choose the right colours, you need to give an original and creative perspective, you need to convey your emotions. To sum up, you need talent.

On the other hand, painting a human or an animal figure is a completely different story. Only hard working and exercise can make you achieve a solid work.

Irakli claimed that it is very important to figure out what is your main strength and inspiration, in order to get the best result.

Then Irakli started to talk about his sons, Koka and Niko.

Both have interest in art and in architecture. Both them represent the two different ways in painting explained before. One is very rational and “realist” in his works. The other, in his father’s words, is “pure talent”.

The latter also held an exhibition with about 80 flower paintings.

Irakli said us that he also also sold one of these paintings to a Turkish man for about 3,000 lari. But he has now chosen a different way, leaving paintings for handmade works.

Irakli didn’t agree too much with this idea. In his opinion, it’s like a waste of time and talent, which he could focus in wonderful paintings.

His son also had a stand, selling some of his handmade works, carved in the wood. Irakli showed us pictures of these works, saying said that setting up an exhibition of this kind is quite expensive, that’s why incomes are very low.

Therefore, Irakli discussed about financial problems that arise when almost everybody tries to make a living out of art. Just selling your artwork is not easy at all and often not enough to pay bills. So, a lot of artist are forced to find a more stable job, like architect, designer, or in the advertisement business.

Then Irakli asked Gabriele and Mattia where they were from. -- “A little village close to Perugia” Mattia said. Hearing “Perugia” led Irakli’s mind to thinking about the great Italian artist Pietro Vannucci, also known as Perugino. So he spoke about his school memories, remembering Perugino and other Renaissance Italian artists.

This pleasant meeting ended just after Irakli showed Tommaso, Gabriele and Mattia some of his best works.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili by Gabriele Rota

2020-03-26T13:55:44Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Irakli Avalishvili
|Authors=Gabriele Rota
|Page name=Istituto cultura italiana (NGO)/Articles/Gabriele Rota - Meeting with Irakli Avalishvili
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Irakli Avalishvili by Gabriele Rota/Irakli.jpg|thumb]]

'''Tbilisi, 23<sup>rd </sup>January 2019'''

Recently, members of Istituto cultura italiana (NGO), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Aivalishvili, a talented painter and physicist, introduced by Tommaso as his close friend.

After the greetings, art became the main topic of conversation. More specifically, Irakli claimed that different kind of figures and subjects require different kind of attitude and ability.

For instance, in drawing nature, like flowers, woods and landscapes, you need to choose the right colours, you need to give an original and creative perspective, you need to convey your emotions. To sum up, you need talent.

On the other hand, painting a human or an animal figure is a completely different story. Only hard working and exercise can make you achieve a solid work.

Irakli claimed that it is very important to figure out what is your main strength and inspiration, in order to get the best result.

Then Irakli started to talk about his sons, Koka and Niko.

Both have interest in art and in architecture. Both them represent the two different ways in painting explained before. One is very rational and “realist” in his works. The other, in his father’s words, is “pure talent”.

The latter also held an exhibition with about 80 flower paintings.

Irakli said us that he also also sold one of these paintings to a Turkish man for about 3,000 lari. But he has now chosen a different way, leaving paintings for handmade works.

Irakli didn’t agree too much with this idea. In his opinion, it’s like a waste of time and talent, which he could focus in wonderful paintings.

His son also had a stand, selling some of his handmade works, carved in the wood. Irakli showed us pictures of these works, saying said that setting up an exhibition of this kind is quite expensive, that’s why incomes are very low.

Therefore, Irakli discussed about financial problems that arise when almost everybody tries to make a living out of art. Just selling your artwork is not easy at all and often not enough to pay bills. So, a lot of artist are forced to find a more stable job, like architect, designer, or in the advertisement business.

Then Irakli asked Gabriele and Mattia where they were from. -- “A little village close to Perugia” Mattia said. Hearing “Perugia” led Irakli’s mind to thinking about the great Italian artist Pietro Vannucci, also known as Perugino. So he spoke about his school memories, remembering Perugino and other Renaissance Italian artists.

This pleasant meeting ended just after Irakli showed Tommaso, Gabriele and Mattia some of his best works.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Lasha Kharazi

2020-03-26T13:54:49Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Meeting with Lasha Kharazi
|Authors=Mattia Boldoni
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni - Meeting with Lasha Kharazi
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141623.jpg|thumb]]
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141709.jpg|thumb]]
After a short presentation of volunteers and EVS Project, Francisco asked to Mattia and Gabriele their opinions and impressions about Georgia and Italian Culture abroad. They said that they have found a strong and unexpected interest and fascination, strengthened by the various offer of cultural events and meetings. They also spoke about the Italian branch of Parliament Library in Tbilisi, sited close to Liberty Square. They have visited this place 2 days before, finding a good diversity of books and volumes. Francisco was quite surprised. He didn't know about this sector and he was interested in visiting it. He also asked about a Spanish branch in the Library, but Mattia and Gabriele didn't know about that.

Then, Francisco started to talk about his tasks here in Tbilisi. As stated in Vienna Convention on Diplomatic Relations (1961) and on Consular Relations (1963), Dr. Capote Yeregui is serving as Consul and Chargè d'Affairs ad Interim of Kingdom of Spain in Georgia. He provides political, cultural and diplomatic assignments. His office is located in Liberty Square, where he works with his secretary and his assistant-driver. Due to the small dimension of Spanish community in Georgia (less than 100 people, in Francisco's opinion), Spain does not have an embassy in Georgia yet. As for [[wikipedia:Azerbaijan|Azerbaijan]], both Consulates depend on Spanish Embassy in Ankara, Turkey. Despite it, in recent future Spanish Embassy will be opened in Tbilisi too, as stated by Francisco.

The aim is to assure diplomatic functions and assistance to whole Caucasus region. But it's a difficult task, deeply linked to [https://culturaitaliana.org/wiki/index.php/Recensione:_Frozen_Conflicts_in_the_Post-Soviet_Space:_What_Will_2019_Bring%3F frozen conflicts] and relations between some Caucasian States, like Azerbaijan and [[wikipedia:Armenia|Armenia]] (now depending on Spanish Embassy in Moscow). Mattia and Francisco totally agreed about conflicting and unsolved situation all along Caucasus. Not only Nagorno-Karabakh, but also Abkhazia and South Ossetia are absolutely relevant problems. For Georgia it's a complex task to solve, but it's necessary to continue on the path of European (and maybe Nato's one) Integration. Mattia and Francisco again agreed about the need of long-term project for feasible and desired Georgian membership. But the solution of several problems, like frontiers' matters and de facto recognition of occupied lands, and the improvement economic and democratic institutions can not be pushed back. So, the slow reform process needs to go on, to wisely prepare the "Eastern stretch" of EU. Meanwhile, relations with Europe are very good and productive. Georgia is the Caucasian country with the highest rate of development and economic growth. As said by Francisco, Spain too has a limited, but nice trade with Georgia in textile, infrastructural and food industry. As stated in a recent ranking, Georgia is the 6th Country in the World in ease to open business. In Francisco's opinion, it could be useful to domestic economy, but some kind of regulations are needed to prevent violations.

Then, talking about their studies, Mattia and Gabriele spoke a lot about [[wikipedia:Bologna|Bologna]], a city which Francisco knows very well. He studied there at Collegio di Spagna, where now is an associate member. He remembered many places, describing them with an impressive photographic memory: the core of academic neighbourhood, Via Zamboni, Humanities Department, the Church of San Giacomo Maggiore, that Francisco suggested us to visit.

At the end, Francisco asked to Mattia and Gabriele their future plans once back in Italy. They answered talking about their proactive research of new opportunities and applications, both in Italy and abroad.He showed an admirable culture and knowledge, results of years of studies and travels, during them he developed a wide network of friendships too. Indeed, Francisco served in Spanish diplomatic corp in different places, such as in Quirinale Delegation in Rome, in [[wikipedia:Mexico|Mexico]] and in [[wikipedia:Saudi_Arabia|Saudi Arabia]].

After 45 minutes of very interesting conversation, Francisco had to leave, due to another appointment. He invited us to replay this meeting in a more informal date. Then, Tommaso brought him to the car.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia

2020-03-26T13:53:57Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia
|Authors=Mattia Boldoni
|year=2018
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni - Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia
}}
'''The following lectures have been delivered by Mattia Baldoni within the Erasmus+ Project “Youth on the bridge, European identity between Italy and Georgia”, implemented by [[Istituto_cultura_italiana_(NGO)]].'''

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|Ilia University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|'''read more...''']]

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|Sokhumi State University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|'''read more...''']]

[[Category:EVS]]
[[Category:Mattia Baldoni]]
[[Category:Workshops and lectures]]

Istituto cultura italiana NCLE/Articles/Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia

2020-03-26T13:53:21Z

Gloria.maritan:

{{Form article
|Type=article
|Title=Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia
|Authors=Mattia Boldoni
|Page name=Istituto cultura italiana (NGO)/Articles/Mattia Boldoni - Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia
}}
'''The following lectures have been delivered by Mattia Baldoni within the Erasmus+ Project “Youth on the bridge, European identity between Italy and Georgia”, implemented by [[Istituto_cultura_italiana_(NGO)]].'''

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|Ilia University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|'''read more...''']]

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|Sokhumi State University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|'''read more...''']]

[[Category:EVS]]
[[Category:Mattia Baldoni]]
[[Category:Workshops and lectures]]

Istituto cultura italiana NCLE/Articles/Borders and frontiers, the past, the present and the future: comparative history and international relations between Italy and Georgia

2020-03-26T13:52:24Z

Gloria.maritan:

{{Form article
|Type=
|Title= Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
|Authors=
|day=
|month=
|year=
|Excerpt=
|Tags=
}}
'''The following lectures have been delivered by Mattia Baldoni within the Erasmus+ Project “Youth on the bridge, European identity between Italy and Georgia”, implemented by [[Istituto_cultura_italiana_(NGO)]].'''

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|Ilia University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Ilia University|'''read more...''']]

==[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|Sokhumi State University]]==

{{:Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University}}

[[Istituto_cultura_italiana_(NGO)/Articles/Borders_and_frontiers,_the_past,_the_present_and_the_future:_comparative_history_and_international_relations_between_Italy_and_Georgia/Sokhumi State University|'''read more...''']]

[[Category:EVS]]
[[Category:Mattia Baldoni]]
[[Category:Workshops and lectures]]

Istituto cultura italiana NCLE/Articles/Meeting with Lasha Kharazi

2020-03-26T13:51:55Z

Gloria.maritan:

{{Form article
|Type=
|Title=
|Authors=
|day=
|month=
|year=
|Excerpt=
|Tags=
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141623.jpg|thumb]]
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Lasha Kharazi/20190206_141709.jpg|thumb]]
After a short presentation of volunteers and EVS Project, Francisco asked to Mattia and Gabriele their opinions and impressions about Georgia and Italian Culture abroad. They said that they have found a strong and unexpected interest and fascination, strengthened by the various offer of cultural events and meetings. They also spoke about the Italian branch of Parliament Library in Tbilisi, sited close to Liberty Square. They have visited this place 2 days before, finding a good diversity of books and volumes. Francisco was quite surprised. He didn't know about this sector and he was interested in visiting it. He also asked about a Spanish branch in the Library, but Mattia and Gabriele didn't know about that.

Then, Francisco started to talk about his tasks here in Tbilisi. As stated in Vienna Convention on Diplomatic Relations (1961) and on Consular Relations (1963), Dr. Capote Yeregui is serving as Consul and Chargè d'Affairs ad Interim of Kingdom of Spain in Georgia. He provides political, cultural and diplomatic assignments. His office is located in Liberty Square, where he works with his secretary and his assistant-driver. Due to the small dimension of Spanish community in Georgia (less than 100 people, in Francisco's opinion), Spain does not have an embassy in Georgia yet. As for [[wikipedia:Azerbaijan|Azerbaijan]], both Consulates depend on Spanish Embassy in Ankara, Turkey. Despite it, in recent future Spanish Embassy will be opened in Tbilisi too, as stated by Francisco.

The aim is to assure diplomatic functions and assistance to whole Caucasus region. But it's a difficult task, deeply linked to [https://culturaitaliana.org/wiki/index.php/Recensione:_Frozen_Conflicts_in_the_Post-Soviet_Space:_What_Will_2019_Bring%3F frozen conflicts] and relations between some Caucasian States, like Azerbaijan and [[wikipedia:Armenia|Armenia]] (now depending on Spanish Embassy in Moscow). Mattia and Francisco totally agreed about conflicting and unsolved situation all along Caucasus. Not only Nagorno-Karabakh, but also Abkhazia and South Ossetia are absolutely relevant problems. For Georgia it's a complex task to solve, but it's necessary to continue on the path of European (and maybe Nato's one) Integration. Mattia and Francisco again agreed about the need of long-term project for feasible and desired Georgian membership. But the solution of several problems, like frontiers' matters and de facto recognition of occupied lands, and the improvement economic and democratic institutions can not be pushed back. So, the slow reform process needs to go on, to wisely prepare the "Eastern stretch" of EU. Meanwhile, relations with Europe are very good and productive. Georgia is the Caucasian country with the highest rate of development and economic growth. As said by Francisco, Spain too has a limited, but nice trade with Georgia in textile, infrastructural and food industry. As stated in a recent ranking, Georgia is the 6th Country in the World in ease to open business. In Francisco's opinion, it could be useful to domestic economy, but some kind of regulations are needed to prevent violations.

Then, talking about their studies, Mattia and Gabriele spoke a lot about [[wikipedia:Bologna|Bologna]], a city which Francisco knows very well. He studied there at Collegio di Spagna, where now is an associate member. He remembered many places, describing them with an impressive photographic memory: the core of academic neighbourhood, Via Zamboni, Humanities Department, the Church of San Giacomo Maggiore, that Francisco suggested us to visit.

At the end, Francisco asked to Mattia and Gabriele their future plans once back in Italy. They answered talking about their proactive research of new opportunities and applications, both in Italy and abroad.He showed an admirable culture and knowledge, results of years of studies and travels, during them he developed a wide network of friendships too. Indeed, Francisco served in Spanish diplomatic corp in different places, such as in Quirinale Delegation in Rome, in [[wikipedia:Mexico|Mexico]] and in [[wikipedia:Saudi_Arabia|Saudi Arabia]].

After 45 minutes of very interesting conversation, Francisco had to leave, due to another appointment. He invited us to replay this meeting in a more informal date. Then, Tommaso brought him to the car.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili by Gabriele Rota

2020-03-26T13:51:29Z

Gloria.maritan:

{{Form article
|Type=
|Title= Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
|Authors=
|day=
|month=
|year=
|Excerpt=
|Tags=
}}
[[File:Istituto cultura italiana (NGO)/Articles/Meeting with Irakli Avalishvili by Gabriele Rota/Irakli.jpg|thumb]]

'''Tbilisi, 23<sup>rd </sup>January 2019'''

Recently, members of Istituto cultura italiana (NGO), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Aivalishvili, a talented painter and physicist, introduced by Tommaso as his close friend.

After the greetings, art became the main topic of conversation. More specifically, Irakli claimed that different kind of figures and subjects require different kind of attitude and ability.

For instance, in drawing nature, like flowers, woods and landscapes, you need to choose the right colours, you need to give an original and creative perspective, you need to convey your emotions. To sum up, you need talent.

On the other hand, painting a human or an animal figure is a completely different story. Only hard working and exercise can make you achieve a solid work.

Irakli claimed that it is very important to figure out what is your main strength and inspiration, in order to get the best result.

Then Irakli started to talk about his sons, Koka and Niko.

Both have interest in art and in architecture. Both them represent the two different ways in painting explained before. One is very rational and “realist” in his works. The other, in his father’s words, is “pure talent”.

The latter also held an exhibition with about 80 flower paintings.

Irakli said us that he also also sold one of these paintings to a Turkish man for about 3,000 lari. But he has now chosen a different way, leaving paintings for handmade works.

Irakli didn’t agree too much with this idea. In his opinion, it’s like a waste of time and talent, which he could focus in wonderful paintings.

His son also had a stand, selling some of his handmade works, carved in the wood. Irakli showed us pictures of these works, saying said that setting up an exhibition of this kind is quite expensive, that’s why incomes are very low.

Therefore, Irakli discussed about financial problems that arise when almost everybody tries to make a living out of art. Just selling your artwork is not easy at all and often not enough to pay bills. So, a lot of artist are forced to find a more stable job, like architect, designer, or in the advertisement business.

Then Irakli asked Gabriele and Mattia where they were from. -- “A little village close to Perugia” Mattia said. Hearing “Perugia” led Irakli’s mind to thinking about the great Italian artist Pietro Vannucci, also known as Perugino. So he spoke about his school memories, remembering Perugino and other Renaissance Italian artists.

This pleasant meeting ended just after Irakli showed Tommaso, Gabriele and Mattia some of his best works.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Meeting with Irakli Avalishvili

2020-03-26T13:51:14Z

Gloria.maritan:

{{Form article
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|Title= Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
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'''Tbilisi, January 2019'''

On 23 January, at the Institute's office located on the IV floor of III building of Georgian public broadcaster (1st channel), Mattia Baldoni, Gabriele Rota and Tommaso de Vivo, had a meeting with Irakli Avalishvili, physicist and talented painter as well as Tommaso's close friend.

Tommaso presented Irakli as a physicist and painter. Irakly replied this presentation telling that his main interest is by now art, thus if the Institute's members cannot tell at the moment of the writing of the report, how Irakli eventually argumented this shift of his current interests, of whether he just felt himself more comfortable talking with Mattia, Gabriele and Tommaso about art, rather than about science.

Irakli looked around, addressing his glance towards the white walls of the office, and Tommaso took the opportunity to asking him what he thought about them.

Indeed, Irakli was present during the first installation of the Institute at this office, since when it was in bad state, with the walls sprinkled with screws and cartons placed therein in order to soundproof the room, and holes and moisture spots.

Irakli was present in that very first moment, and he provided Tommaso with the help of Alek ...., in turn painter, who helped Tommaso with the renovation of the office in a first moment. Indeed, Tommaso did not delegated completely such renovation, but (as he could) participated with it and now he was proud to showing the results to everybody.

Also, Irakli told something about Alek, the painter (as well as master) who participated and started the renovation work, which once more who now is writing cannot precisely remember.

In his turn, Tommaso pointed out that the general condition of the office, was now "not perfect, but much better" than the initial condition, and he ascribed, indeed, all the imperfections and the amateurish elements of the work, to his own participation.

Irakli looked around a bit more and asked about a print of a painting behind Tommaso's shoulders, and ... Tommaso laughed, having misunderstood the reference of Irakli's interest, to something else. When he realized that he was referring to the printed painting posted on the bulletin board of the classroom, he explained to Irakli that it was a work by a painter living behind the parliament, on the street which ascends from Ingorvoka st., who makes nice, but a bit childish paintings.

Irakli at first did not understand this word, which Tommaso repeated several times, then Tommaso tried to express the concept: these paintings tends to be all "bi-dimensional", they don't have, by definition, a great depth, and so on. At the same time Gabriele tried to use -- with his linguistic sensibility -- other synonyms to express the same word, and likely Irakly understood.

Also, Tommaso presented, or tried to do so, the art of Irakli himself to Mattia and Gabriele, telling that in his opinion his paintings are "really wonderful", and that they have a visionary and dreamlike character, which is very difficult to achieve.

Here, he would add that a visionary and dreamlike character is so difficult to paint precisely because you are prevented to observe it, and because it is undefined by definition: precisely like dreams are.

Then Irakli added that somebody else defined his art ... something that once more who write cannot remind whilst writing down this report, and then he added, with regard to that definition received by somebody else, that in the classic times there were all the styles nowadays considered modern, and he formulated a fairly precise list. [ask to Irakli to remind about it]

Of course that statement was interesting and all of them, Tommaso and Gabriele and Mattia wrote it down in their minds.

Then Irakli started to talk about his sons, Koka and Niko, who also demonstrated a similar, and possibly even greater, talent for art. He presented the first as being very rational and “realist” in his works, while the other, Niko, in Irakli words, is “pure talent”.

Then Irakli did a statement extremely nice and in a way paradigmatic. He said that his own art is in the middle between that of Kaka, and Niko. (his sons)

In other words he explained something that, supposedly, comes first, through something which came later, overturning the usual way of reasoning a showing a deep and admirable respect for his own sons.

Indeed, Tommaso since the beginning presented Irakli to Mattia and Gabriele as somebody to be known namely for his family and his personal history. Besides being (theoretical) physicist and painter, even if objectively his art achieves a greater level of completeness in the first case rather than in the second, he has also been war veteran, and has an high number of children, all different and recently entered in the adult age, with whom he lives as an older brother, rather than as a "father", and sharing with them, probably
as a peer, the loss of his wife and children's' mother, occurred several years before.

Tommaso, being aware of the richness of this family, and recognizing a certain similarity between Mattia and Niko, had the intention to let the one get acquainted with the other [or: "to make one another known"], as one can find in [https://topway.it/nuepress/dist/1-dicember-2018-tbilisi this history], which had precisely this presupposition.

Who now is writing and integrating such report has also to add that whilst Irakli and Tommaso were talking about the condition of the new office, there was a mention from Irakli regarding a quite big and interesting space, for which both had fairly long negotiations, which indeed was own by the "Georgian Afghan war veterans", or even more precisely (as Tommaso noted) "Union of Georgian Afghan war veterans".

When Irakli mentioned that space, informally named between the two as "Kommissariat", for being the old seat of a commissariat in the upper Sololaki area, Tommaso described it shortly to Mattia and Gabriele, as a space towards which they have interest as a headquarter for the Institute, and to be considered very useful and appropriate for the use during spring and summer (if not well heated during the winter), both for the position, being surrounded by the nature and at the same time located in the city's centre, and for its big size. (this considerations took place, conceivably before talking about art, as mentioned)



Following again the discourse focused on art, many elements of the conversation can indeed be traced back to the [https://topway.it/nuepress/dist/meeting-with-irakli original summary] written down by Gabriele, with the difference, in the opinion of the writer, that the mention of his sons preceded, and did not follow, such a discourse.

Irakli associated from the beginning the realism in art with his son Koka, an approach for which indeed is necessary a specific preparation and "hard work", and a more unconstrained expression of one's artistic talent to his son Niko (a nickname for Nikoloz, while Nikoloz itself is a "placeholder", a "replacement", a substitute, for the official name, which is ...).

Irakli recognized an extraordinary talent for colors to his son Niko, who indeed preferred to deploy his talent, and to use his time, creating wooden accessories with artistic value, that is not renouncing the artisan and material aspect of art which at the moment, and probably due to his young age and education, he feels as necessary.

Irakli also mentioned something that Tommaso found very significant and in certain way new. He said to prefer himself painting landscapes and nature and eventually flowers, because nature is, almost by definition, a subject where the artist can find more freedom, and which is less saturated, in some way, of conventional "mannerisms", which on the other hand, in some way by definition characterize the human field.

In this sense, Irakli often says about himself to not being "a great portraitist", both in adherence to the statement above expressed, that is that he feels himself in the middle between the realism in art, and an unconstrained expression of one's talent, and because indeed being "a great portraitist" requires confronting oneself with the human sphere, or continuously, or as a requisite, and with all that is conventional, which indeed the dreaming soul of Irakli, does not refuse absolutely, but tends to avoid.

In other words, Irakli defines himself not "a great portraitist" partly for the kind of preparation (he did not have a rigorous artistic preparation, and he came to art instinctively or following biographical events) and partly as an aspiration, and for something indeed intimately connected to his art, which is not such as to be considered "worldly" ("mondana"), not something connected to "man", and his world, but rather as something evocative and imaginary related to, eventually, another world and, still eventually (except that his paintings are in some way lonely, deserts, as lacking of a known presence) -- other beings.

Irakli said that flowers represent, in his opinion, a subject where the absolute lack of artistic constraints almost converges, and in this view he mentioned the overwhelming artistic production on this subject of his son Niko (it is indeed correct the mention of his participation to an exhibition at the National library of Tbilisi, with 70 or 80 paintings on this subject).

To express this idea, the lack of constraints, of mannerism on that specific subject, Irakli used a specific expression, or he expressed the concept in turn in some unconventional way, but I who now write, at a certain distance from the event, cannot remind it precisely. Perhaps he used the word "format", to express the set of conventions related to a specific subject, or some other more significant word and expression, which indeed had the effect to awaken the attention of the interlocutors.

It is possible that, for his predilection for an artistic expression based on colours, he viewed to the flowers, as a subject at the same time place of election, almost of origin, of colours, and of the unconventional in art, a territory and a realm where the human sphere does not dare, or must not dare to intervene or influence: indeed one of the dominant traits of the character of Irakli is delicacy, which is perfectly conform to all this conception.

Whilst Irakli was doing such discourse, he was indeed sliding his long photographic gallery on his smart phone, showing in a first moment, as reported by Gabriele, his sons' paintings, and in a second moment his own paintings.

He therefore showed some hand-made art objects created by Niko, some Koka's painting (of which, however, Mattia will have had -- and he has at the moment of the writing of this story -- a better idea following a visit in the house of Irakli himself), he probably showed some Niko's paintings or drawing representing his artistic talent as painter (a path that indeed he regrets to him) and equally likely a painting which he sold for a discrete amount of money to a Turkish customer: Tommaso did not follow the discourse at this point because he was not interested to the commercial/promotional aspect of the artistic presentation, or he did not feel to be provided by Irakly with all the details which would have made this passage interesting. Perhaps the information of "time" and the "place" of the episode were missing, so that Tommaso was just non able to represent the related scene in the proper way.

Irakli also added that still his son Niko (upon which was focused a good part of the conversation) participated to a street market, with a stand for selling his artistic works. This time Tommaso was able to represent appropriately the scene, settled down in Rustaveli avenue, and asked how much these stands costed during the manifestation. Irakli answered that they costed 300 hundreds GEL for the entire duration of the manifestation, lasting 2 or 3 days, and Tommaso said that it appeared to be a great price, considering that in Europe, for similar activities, one has to invest amounts of money considerably greater.
(then one asks himself why home-made products are so expensive, and the answer is that the prices have to cover the bad management of the municipality)

Then it is possible that Irakli showed some of his paintings from his smartphone's gallery. Among many beautiful and significant paintings he had, he showed one representing "Hillary Clinton" (or a figure which he presented as such) in front of the US's White House.

Irakli said to Mattia and Gabriele that Tommaso did, regarding that painting, an observation quite interesting, that is that the subject of the scene ("Hillary") was a little "flat" and lacked of some depth that on observer would expect. Irakli appeared to agree with this information, even if (obviously) to take the subsequent measures requires additional work, and the preparation of an "art studio" which Irakli did not have yet ready at the moment.

Besides that, Tommaso admired of this painting the enthusiastic and elevated look of "Hillary" (the subject of the painting, or the human figure of the painting), and he thought that whatever person will be very gratified of being painted with such look ("sguardo") and that often, elapsed the times of youth, when you cannot distinguish the dreaming upon the world, from the world itself, such look is replaced by something much more pragmatic and "terrestrial", which at bottom does not honor man (and the woman).

Tommaso also said that the dress of "Hillary", in this picture, reminded the dresses of some Bronzino's painting, very elaborated and complex.

Then, it is possible that there was some other mentions to artists. Tommaso, probably in a first time of the conversation (when Irakli was talking about the different styles in art, and about his own style) mentioned Francis Bacon, as an artist to be regarded. (and he described his style shortly)

Then, still in accordance with the report written down by Gabriele, Irakli addressed to Gabriele and Mattia asking more about themselves, and actually about their city of origin. Mattia answered, as always "from a village besides Perugia", and Gabriele as always answered "from a village near Milan" (in the latter case giving a sense of proximity to a famous Italian metropolis of international value).

When Irakli heard the word "Perugia" he had a lightning and told something like "Perugin..." (premised by something that I don't remember) and when Tommaso heard the word "perugin" he laughed perhaps a little inappropriately for the second time thinking to the chocolate producer (for which Perugia is indeed also famous).

But the wise Irakli was indeed referring to Pietro Vannucci called "perugino", as also reported by Gabriele, and following, probably, as also mentioned, he talked about "his school memories" and "other Renaissance Italian artist".

It is possible than then Tommaso asked if he was remembering some other Italian artist, and then Irakli did a note about memory of great interest and acumen.

It was about the different kind of memories, that one can have, and the fact that one's memory is naturally addressed to very specific subjects. But of this note I cannot remind more, and whatever element I would add would be totally arbitrary and not conform to the facts or to the ideas and intention of Irakli, so that I can rightly abstain of striving more.

At the end of the meeting -- during which Irakli, in his beautiful and consistent figure, remained well wrapped in his clothes, because the office was oddly cold -- Irakli stood up with the plan to head to an exhibition (fixed at 17.00 in the city centre) and Tommaso went behind him.

Tommaso, that day, had the soul engaged in some other important task, so, while he was walking with him in direction of the bus stop of Dolidze st., his attention was captured by different and remote things, and he was not able to thank appropriately Iralki Avalishvili when he went away, or eventually to follow him.

[[Category:EVS]]
[[Category:Meetings and interviews]]

Istituto cultura italiana NCLE/Articles/Recensione articolo "Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia"

2020-03-26T13:50:36Z

Gloria.maritan:

{{Form article
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|Title= Analysing the shadows: private tutoring as a descriptor of the Education System in Georgia
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[[File:Istituto_cultura_italiana_(NGO)/Articles/EJ1067072.pdf|thumb|link=https://culturaitaliana.org/w/en/images/Istituto_cultura_italiana_(NGO)/Articles/EJ1067072.pdf]]
Negli ultimi dieci anni, la Georgia ha ricevuto un forte sostegno internazionale per riformare il proprio sistema educativo. L'articolo vuole valutare l'efficacia di questi interventi nella regione, partendo da una variabile che può dare notevoli delucidazioni sullo stato dell'istruzione in Georgia: l'insegnamento privato a domicilio. L'indagine rappresentativa sugli studenti in età scolare o iscritti all'università descrive la portata e gli effetti del tutorato privato in Georgia. Questi risultati vengono quindi utilizzati per analizzare l'efficacia del sistema in termini di qualità ed equità.

Dai risultati raggiunti, si possono evincere importanti cambiamenti frutto delle riforme, ma anche molte sfide e rischi, notevoli situazioni residue di arretratezza e non competitività del sistema educativo.
Il ricorso all'insegnamento privato in Georgia è diminuito a seguito delle riforme del sistema educativo, ma rappresenta ancora una sostanziale attività parallela all'istruzione tradizionale (statale e privata).
La bassa qualità dell'educazione tradizionale, infatti, continua ad alimentare il tutorato privato per ragioni compensative in tutte le fasi dell'istruzione, a dimostrazione che, nonostante numerose riforme strutturali e concettuali, le scuole spesso non riescono a raggiungere i risultati prefissati.

Le ricerche accademiche sostenute in altri paesi sottoposti a riforme simili nel settore dell'istruzione suggeriscono che le radici del problema potrebbero risiedere nella riforma stessa. In particolare, le ricerche sul fenomeno in diversi paesi d'Europa e nei paesi post-sovietici illustrano che uno dei motivi per cui le scuole non raggiungono i risultati prefissati è un curriculum sovraccarico. I cambiamenti, certamente, ampliano gli orizzonti e le possibilità accademiche, ma rappresentano anche anche un peso aggiuntivo per gli alunni. Inoltre, le scuole sono incoraggiate a passare dall'apprendimento centrato sull'insegnante, che era comune durante il periodo sovietico, a quello mirato sullo studente, che può essere più efficace, ma che è una sfida per la preparazione degli insegnanti stessi. Questi ultimi, infatti, trovano difficile assumere nuovi doveri e obblighi o accumulano un ritardo eccessivo nell'adottare cambiamenti. I responsabili politici, quindi, devono tener conto delle esperienze simili, in cui le riforme del curriculum hanno portato a un'espansione dell'<em>istruzione ombra</em> (tutorato privato) piuttosto che a una sua contrazione.

Lo studio, in aggiunta, mostra anche il disallineamento tra il contenuto del curriculum scolastico e i requisiti di ammissione all'istruzione superiore, che rende necessario un perfezionamento della preparazione tramite l'insegnamento privato. Di conseguenza, i risultati dello studio sollevano anche preoccupazioni circa la questione dell'equità nel sistema di istruzione formale in Georgia, adducendo prove empiriche sull'influenza sostanziale della preparazione privata sull'iscrizione all'istruzione superiore. Le disparità nell'accesso al tutorato privato da parte di ricchi e poveri comportano, quindi, un accesso limitato all'istruzione superiore per gli studenti con status socioeconomico inferiore.

Come riporta l'autrice, le conclusioni di questo studio seguono un trend comune ad altri studi svolti in altre parti del mondo. I policy-makers georgiani dovranno quindi tener conto dei limiti delle riforme apportate e concentrarsi sul'implementazione della qualità del sistema educativo e dell'equità delle possibilità di accesso a questo.

[[Category:Reviews]]

Istituto cultura italiana NCLE/Articles/Perché dovresti fare l’esperienza dell’ESC

2020-03-26T12:08:03Z

Gloria.maritan:

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Mi è stato chiesto se avessi voglia di raccontare la mia esperienza ESC, ho risposto positivamente perché anche se ancora non completa, posso affermare che con pochi mesi ho imparato moltissimo e spero che il racconto della mia esperienza possa spingere altri giovani a fare lo stesso.

Premessa, il mio ESC non si sta svolgendo in una delle mete “tradizionali”, infatti, sono finito nel Caucaso settentrionale, in Georgia a Tbilisi per la precisione. Questo è un paese neighbor (ovvero una nazione con un piede in Europa e l’altro ancora fuori).

Avevo già avuto altre esperienze come brevi scambi giovanili e già avevo viaggiato abbastanza, ma il Caucaso mi ha sorpreso.

Consiglio di fare esperienze di questo tipo in paesi come la Georgia, innanzitutto perché qui si può fare molto per il prossimo, ad esempio: l’NGO con la quale collaboro eroga lezioni di lingua italiana a prezzi abbordabili anche per la popolazione autoctona. Lo so, non sarà come combattere la febbre gialla sulla linea dell’equatore, ma nel tuo piccolo, con i tuoi laboratori informali, tramite le letture in lingua, tu stai aiutando persone che probabilmente non avrebbero potuto accedere a questo tipo di sapere. Puoi fare veramente la differenza per qualcuno.

Il secondo motivo per scegliere paesi borderline è che ti confronti con qualcosa di diverso che a mio avviso spesso è positivo, soprattutto se si è giovani. La cultura georgiana è sicuramente differente da quella della nostra calda penisola, a partire dalla mentalità, alla tradizione culinaria, alla religione, al modo di salutarsi e tanto altro, ma ha da offrire tanto: una popolazione gentile e cordiale, ottimo vino e formaggi, e stranamente comincia a non dispiacerti più quella differenza di 10 gradi in meno che c’è tra Roma e Tbilisi.

Ancora, il terzo motivo che dovrebbe spingere i giovani europei a fare questa esperienza è che stando qui a lungo scopri che il mondo non è composto dai 32 paesi UE. Dico questo perché Tbilisi è un meltingpot di popolazioni e tradizioni, lo si evince già dall’architettura della città, influenze ottomane, armene, ebraiche, russe addobbano e decorano i volti degli edifici (e chissà quante altre che a me sfuggono).

Ho conosciuto un varietà di umanità che difficilmente trovereste in Europa. Qui ovviamente vivono comunità di armeni, russi, ucraini, turchi e azeri, ma ci sono indiani (molti dei quali sono giovani studenti che frequentano l’università qui a Tbilisi), ho incontrato anche diversi siriani, qualche iraniano, giordani, americani e australiani (per lo più backpackers in viaggio per il Caucaso) e qualche kazakho. Non mancano poi turisti europei, però qui forse sono la cosa che mi colpisce di meno. Insomma, un’umanità variegata popola e vive Tbilisi, facendoti abbandonare una visione eurocentrica della realtà.

Concludo con un ultimo motivo, qui c’è una piccola comunità di italiani, non è amplia come quella di New York, Londra o Berlino, ma vi assicuro che i nostri connazionali sono arrivati anche qui e tanti si sono integrati molto bene, suggeriscono addirittura di fare business qui: un mercato in crescita, flessibile e con prospettive di un futuro in Europa hanno spinto diverse persone ad aprire le loro attività qui.

Quindi ecco, per questi motivi dovreste fare l’ESC in Georgia, non solo per le varie skills (professionali e personali) che potrete affinare, ma anche per contribuire al miglioramento di una società svantaggiata ed ampliare il vostro bagaglio di esperienze e prospettive.

[[Category:EVS]]

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:19:58Z

Gloria.maritan:

{{Form article
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|Title=South Caucasian Women Photography-Panel
|Authors=Gloria Maritan
|month=2
|year=2020
|Tags=photography, event, caucas, georgia, women
|Page name=Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel
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'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
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File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
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File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Vahabova.png
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==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka Gujabidze==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

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File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03 Anka Gujabidze.png
</gallery>

==FIVE SECOND RULE – Mano Svanidze==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Mano Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Nata Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Lilith Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191714 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191745 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 194540 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201707 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201724 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202304 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202403 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 203251 HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:18:00Z

Gloria.maritan:

{{Form article
|Type=
|Title= South Caucasian Women Photography-Panel
|Authors= Gloria Maritan
|day= 18
|month= February
|year= 2020
|Excerpt=
|Tags=
}}

'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka Gujabidze==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03 Anka Gujabidze.png
</gallery>

==FIVE SECOND RULE – Mano Svanidze==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Mano Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Nata Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Lilith Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191714 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191745 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 194540 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201707 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201724 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202304 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202403 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 203251 HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:16:56Z

Gloria.maritan:

{{Form article
|Type=
|Title= South Caucasian Women Photography-Panel
|Authors= Gloria Maritan
|day= 18
|month= Febbraio
|year= 2020
|Excerpt=
|Tags=
}}

'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka Gujabidze==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03 Anka Gujabidze.png
</gallery>

==FIVE SECOND RULE – Mano Svanidze==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Mano Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Nata Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Lilith Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191714 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191745 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 194540 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201707 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201724 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202304 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202403 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 203251 HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:14:07Z

Gloria.maritan:

'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka Gujabidze==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03 Anka Gujabidze.png
</gallery>

==FIVE SECOND RULE – Mano Svanidze==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Mano Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Nata Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02 Lilith Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191714 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 191745 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 194540 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201707 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 201724 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202304 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 202403 HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212 203251 HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:06:40Z

Gloria.maritan:

'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek_Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata_Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Anka_Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka_Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03_Anka_Gujabidze.png
</gallery>

==FIVE SECOND RULE – MANO SVANIDZE ==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano_Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Mano_Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata_Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Nata_Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith_Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Lilith_Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit_Hayrapetyan.png
</gallery>

==Foto dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_191714_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_191745_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_194540_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_201707_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_201724_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_202304_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_202403_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_203251_HDR.jpg
</gallery>

Istituto cultura italiana NCLE/Articles/Gloria Maritan - South Caucasian Women Photography-Panel

2020-03-26T11:06:09Z

Gloria.maritan:

'''Mercoledì 11 Febbraio 2020'''

Si è svolta all’interno dell'hotel Stamba la presentazione del progetto “South
Caucasian Women Photography”, organizzato da Tbilisi Photography & Multimedia Museum e finanziato dall'[https://tpmm.ge/uploads/tinymce/documents/Multimedia%20Production%20Lab%20Grants%202019.pdf Ambasciata svizzera in Georgia].

Il progetto ha visto coinvolte per un periodo di sei mesi sette fotografe provenienti da Armenia, Georgia e Arzebaijan, su temi relativi a migrazione, attraversamento delle frontiere e identità nazionale.

Ciascuna fotografa ha voluto cogliere e raccontare diversi scenari della vita caucasica, utilizzando linguaggi differenti tra loro e mostrandoci da vicino la propria personale percezione di queste realtà.

“Se la foto non è buona vuol dire che non eri abbastanza vicino” diceva Robert
Capa, uno dei più grandi fotografi della storia del reportage. Proprio questo è stato il compito di queste giovani ragazze, immergersi appieno ed osservare la realtà non solo dietro il proprio obbiettivo fotografico, ma partecipare con ciò che hanno voluto raccontarci.

Se c’è una cosa in comune che queste fotografe sono riuscite a catturare è una
sensibilità che va oltre la funzione documentaria del reportage: non ci viene
raccontato solamente ciò che hanno visto ed a cui hanno assistito, ma prima di
tutto ci mostrano una sensazione, spesso di nostalgia o compassione, empatia e
anche distacco.

==RED RIBBON - Melek Bayramli==

Il nastro rosso è simbolo tradizionale dell’unione e dell’amore, in questo reportage Melek segue giovani donne che decidono di sposarsi più per il volere dei genitori che per una scelta autentica e trovarsi un marito è quasi un compito svolto col fine di assecondare la famiglia. Se ti trovi un marito sei libera di andartene da casa, libera di costruirti la tua vita. Il filo rosso è presente in ogni fotografia, lo si ritrova nelle decorazioni della casa addobbata per i festeggiamenti, nell’abito da sposa. L’occhio con cui Melek ci mostra tutto ciò è un occhio malinconico, si percepisce nel simbolo del nastro rosso, non un simbolo di festa ma piuttosto una catena.

La foto che rappresenta un bimbo in fasce legato con il filo rosso ci vuole far riflettere sull’impossibilità di quel bambino di slegarsi da esso nel corso della sua vita futura.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Melek_Bayramli.png
</gallery>
==CHILDREN OF SHELTER - Nata Vahabova==

Nata Vahabova ci mostra la vita di tutti i giorni di bambini che hanno subito violenza domestica. Nel nido di accoglienza ritratto mostra la vita di questi
bimbi e anche di alcune donne, madri, che cercano un posto sicuro in cui vivere.
Ci vengono mostrati bambini con vestiti sporchi, piatti con cibo povero. La loro quotidianità viene mostrata in maniera chiara, senza censure e allo stesso tempo senza esagerazioni non necessarie ad esprimere la loro verità.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata_Vahabova.png
</gallery>
==DEATH TO MOQUITO DURING THE SUMMER DAY - Anka==

Un progetto molto introspettivo quello di Anka. Le sue fotografie hanno l’intento di mostrarci la sua percezione del paese in cui ha sempre vissuto, ovvero
la Georgia. Dal dettaglio della carne che viene affilata con il coltello all’autoritratto di lei che si fa un bagno. Ci conduce per mano in questa personale visione, esasperando cromaticamente alcune fotografie. Ci comunica ciò che ha vissuto, che ha visto e provato, affianca testimonianze di "villaggio" a tavolini di discoteca con sopra strisce di cocaina, ci rappresenta il dettaglio e i vasti paesaggi.

Un continuo contrasto, un tornante di emozioni e pensieri che vengono sintetizzati grazie a questo progetto, che ha lo scopo di esprimere come le persone si sentono in Georgia, cosa non si può vedere ma solamente sentire: riguarda Anka, la sua famiglia e il sentimento in generale che si può solo sentire ma non è facile da vedere.

<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Anka_Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anka_Gujabidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/03_Anka_Gujabidze.png
</gallery>

==FIVE SECOND RULE – MANO SVANIDZE ==

Il nome del progetto è evocativo. La regola dei 5 secondi sancisce che se un cibo
ci cade a terra, abbiamo 5 secondi per salvarlo. Se rimane a terra per più di quei 5 secondi è un alimento da buttare, un alimento infetto di batteri.

Mano denuncia così la società di oggi, dove se cadi, fallisci o ti deprimi non puoi permetterti di stare in quella posizione a lungo; devi rialzarti più in fretta possibile ed essere forte o per la società sarai qualcosa da evitare, qualcuno di malato, da buttare.

In questo reportage ci viene mostrata la quotidianità e la storia di donne transgender, di come vivono, di cosa sognano, di come reagiscono in un paese dove non sono tollerate dai più, di coloro che si prostituiscono per potersi permettere un tetto in cui vivere. Mano ci fa vedere la difficoltà, la povertà ma al contempo la forza di non rinunciare ai propri sogni. Coloro che non possono permettersi di cadere o di crollare ma devono rimanere forti e orgogliosi.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Mano_Svanidze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Mano_Svanidze.png
</gallery>
==PORTRAIT OF ORACLES - Nata Sopromadze==

La chiromanzia, i tarocchi, i fondi del caffè nelle tazzine.
Nata si è immersa nel fragile mondo dove donne leggono e analizzano ciò che ti è accaduto, che ti accade e che ti accadrà. Un mondo fragile perché il fruitore principale è colui che si trova perso, colui che ha bisogno di aggrapparsi a delle certezze, l’individuo che deve essere confortato da una forza esterna al suo essere. La tecnica fotografica utilizzata da Nata è quella del flash che enfatizza, tenendo in ombra tutto il contorno, i soggetti.

In questo modo illumina e fa emergere dal buio gli oggetti e i luoghi utilizzati dalle donne premonitrici, facendo trapelare così un’aura di mistero attorno ad essi, come se fossero dei segreti che condivide con noi. Ci mostra così la vita di tutti i giorni di queste donne che coltivano queste lunghe e consolidate tradizioni. Tutti i dettagli evidenziati, gatti neri, carte, fondi del caffè, le voci delle premonizioni in sottofondo, ci fanno riflettere nuovamente sul binomio di speranza e paura che si ripone in queste persone che hanno la necessità di aggrapparsi a qualcosa.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Nata_Sopromadze.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Nata_Sopromadze.png
</gallery>
==I HAD LEFT MY HOME EARLY IN THE MORNING - Lilith Matevosyan==

Un lavoro che non si limita ai sei mesi del progetto ma una vera ricerca di
materiale autobiografico quello della fotografa Lilith. Ci racconta la storia della migrazione di lei e della sua famiglia dalla Georgia all’Armenia dopo la caduta dell’unione sovietica.

Lilith non ci fa solamente vedere come vive oggi e ma ci racconta la storia della sue origini, raccoglie materiali multimediali del passato e recupera delle cassette VHS della sua infanzia e della gioventù dei suoi genitori. Ci
mostra un passato recente e un presente che non vogliono dimenticare questo passato.

Nelle foto si cela un po’ di nostalgia, ma si percepisce anche la forza di adattarsi in un nuovo contesto.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Lilith_Matevosyan.png
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/02_Lilith_Matevosyan.png
</gallery>
==ARMENIANS IN GERMANY - Anahit Hayrapetyan==

Il suoi ritratti ci raccontano le storie di armeni che vivono oggi in Germania,
della loro vita, di cosa si occupano e di come vivono. I loro volti sono sereni, alcuni un po’ più seri. C’è chi si è portato i costumi tradizionali, chi delle icone, chi l’Armenia se la porta dentro il cuore.

La cosa che li accomuna è la nostalgia della propria terra, ma quasi tutti giurano di tornarci e continuare la propria vita in Armenia.
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/Anahit_Hayrapetyan.png
</gallery>

==Gallery dell'evento==
<gallery>
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_191714_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_191745_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_194540_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_201707_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_201724_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_202304_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_202403_HDR.jpg
File:Istituto cultura italiana (NGO)/Articles/Gloria Maritan - South Caucasian Women Photography-Panel/20200212_203251_HDR.jpg
</gallery>

Form:Organization html

2020-03-02T15:17:17Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>



<input class="cultura_italiana_form_input" type="text" placeholder="Address" name="Form meeting[Address]" value="">

<label for="latInput">Latitude</label>
<input id="latInput"/>
<label for="lngInput">Longitude</label>
<input id="lngInput"/>
<div id="map" style="height : 300px"></div>



<script>
var mapCenter = [22, 87];
var map = L.map('map', {center : mapCenter, zoom : 3});
L.tileLayer('https://{s}.tile.openstreetmap.org/{z}/{x}/{y}.png', {
maxZoom: 18,
attribution: 'Map data © <a href="http://openstreetmap.org">OpenStreetMap</a> contributors, ' +
'<a href="http://creativecommons.org/licenses/by-sa/2.0/">CC-BY-SA</a>, ' +
'Imagery © <a href="http://mapbox.com">Mapbox</a>',
id: 'examples.map-i875mjb7',
noWrap : true
}).addTo(map);

var marker = L.marker(mapCenter).addTo(map);
var updateMarker = function(lat, lng) {
marker
.setLatLng([lat, lng])
.bindPopup("Your location : " + marker.getLatLng().toString())
.openPopup();
return false;
};

map.on('click', function(e) {
$('#latInput').val(e.latlng.lat);
$('#lngInput').val(e.latlng.lng);
updateMarker(e.latlng.lat, e.latlng.lng);
});

var updateMarkerByInputs = function() {
return updateMarker( $('#latInput').val() , $('#lngInput').val());
}
$('#latInput').on('input', updateMarkerByInputs);
$('#lngInput').on('input', updateMarkerByInputs);

</script>



<div class="ci_form_section">
<span class="ci_form_section_label">
Coordinates
</span>

<input class="cultura_italiana_form_input" type="text" placeholder="Coordinates" name="Form organization[Coordinates]" value="">

<span class="ci_form_section_help">
The coordinates of the organization
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Organization html

2020-03-02T15:15:12Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>



<input class="cultura_italiana_form_input" type="text" placeholder="Address" name="Form meeting[Address]" value="">

<label for="latInput">Latitude</label>
<input id="latInput"/>
<label for="lngInput">Longitude</label>
<input id="lngInput"/>
<div id="map" style="height : 200px"></div>



<script>
var mapCenter = [22, 87];
var map = L.map('map', {center : mapCenter, zoom : 3});
L.tileLayer('https://{s}.tile.openstreetmap.org/{z}/{x}/{y}.png', {
maxZoom: 18,
attribution: 'Map data © <a href="http://openstreetmap.org">OpenStreetMap</a> contributors, ' +
'<a href="http://creativecommons.org/licenses/by-sa/2.0/">CC-BY-SA</a>, ' +
'Imagery © <a href="http://mapbox.com">Mapbox</a>',
id: 'examples.map-i875mjb7',
noWrap : true
}).addTo(map);

var marker = L.marker(mapCenter).addTo(map);
var updateMarker = function(lat, lng) {
marker
.setLatLng([lat, lng])
.bindPopup("Your location : " + marker.getLatLng().toString())
.openPopup();
return false;
};

map.on('click', function(e) {
$('#latInput').val(e.latlng.lat);
$('#lngInput').val(e.latlng.lng);
updateMarker(e.latlng.lat, e.latlng.lng);
});

var updateMarkerByInputs = function() {
return updateMarker( $('#latInput').val() , $('#lngInput').val());
}
$('#latInput').on('input', updateMarkerByInputs);
$('#lngInput').on('input', updateMarkerByInputs);

</script>



<div class="ci_form_section">
<span class="ci_form_section_label">
Coordinates
</span>

<input class="cultura_italiana_form_input" type="text" placeholder="Coordinates" name="Form organization[Coordinates]" value="">

<span class="ci_form_section_help">
The coordinates of the organization
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Organization html

2020-03-02T15:14:24Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>



<input class="cultura_italiana_form_input" type="text" placeholder="Address" name="Form meeting[Address]" value="">

<label for="latInput">Latitude</label>
<input id="latInput"/>
<label for="lngInput">Longitude</label>
<input id="lngInput"/>
<div id="map" style="height : 200px"></div>



<script>
var mapCenter = [22, 87];
var map = L.map('map', {center : mapCenter, zoom : 3});
L.tileLayer('https://{s}.tile.openstreetmap.org/{z}/{x}/{y}.png', {
maxZoom: 18,
attribution: 'Map data © <a href="http://openstreetmap.org">OpenStreetMap</a> contributors, ' +
'<a href="http://creativecommons.org/licenses/by-sa/2.0/">CC-BY-SA</a>, ' +
'Imagery © <a href="http://mapbox.com">Mapbox</a>',
id: 'examples.map-i875mjb7',
noWrap : true
}).addTo(map);

var marker = L.marker(mapCenter).addTo(map);
var updateMarker = function(lat, lng) {
marker
.setLatLng([lat, lng])
.bindPopup("Your location : " + marker.getLatLng().toString())
.openPopup();
return false;
};

map.on('click', function(e) {
$('#latInput').val(e.latlng.lat);
$('#lngInput').val(e.latlng.lng);
updateMarker(e.latlng.lat, e.latlng.lng);
});

var updateMarkerByInputs = function() {
return updateMarker( $('#latInput').val() , $('#lngInput').val());
}
$('#latInput').on('input', updateMarkerByInputs);
$('#lngInput').on('input', updateMarkerByInputs);

</script>



<div class="ci_form_section">
<span class="ci_form_section_label">
Coordinates
</span>

<input class="cultura_italiana_form_input" type="text" placeholder="Coordinates" name="Form organization[Coordinates]" value="">

<span class="ci_form_section_help">
The coordinates of this meeting
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Organization html

2020-03-02T15:10:38Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>

<input class="cultura_italiana_form_input" type="text" placeholder="Address" name="Form meeting[Address]" value="">

<label for="latInput">Latitude</label>
<input id="latInput"/>
<label for="lngInput">Longitude</label>
<input id="lngInput"/>
<div id="map" style="height : 200px"></div>



<div class="ci_form_section">
<span class="ci_form_section_label">
Coordinates
</span>

<input class="cultura_italiana_form_input" type="text" placeholder="Coordinates" name="Form organization[Coordinates]" value="">

<span class="ci_form_section_help">
The coordinates of this meeting
</span>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Organization html

2020-03-02T15:09:03Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>

<input class="cultura_italiana_form_input" type="text" placeholder="Address" name="Form meeting[Address]" value="">

<label for="latInput">Latitude</label>
<input id="latInput"/>
<label for="lngInput">Longitude</label>
<input id="lngInput"/>
<div id="map" style="height : 200px"></div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Teacher html

2020-03-02T14:50:21Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
First Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[First Name]" value="">

</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Last Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Last Name]" value="">

</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Curriculum
</span>

<textarea name="Form teacher[Curriculum]" class="form_teacher_input" style="width:100%" rows="3">
</textarea>

<span class="ci_form_section_help">
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Phone
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Phone]" value="">

</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Email
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Email]" value="">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Role
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Role]" value="">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Spoken Languages
</span>

<select id="select_languages" multiple class="ci_form_input" name="Form teacher[Spoken Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Spoken Languages
</span>

<select id="select_languages" multiple class="ci_form_input" name="Form teacher[Spoken Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Mother Languages
</span>

<select id="select_languages" class="ci_form_input" name="Form teacher[Mother Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Phone
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Phone]" value="">

</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Free Text
</span>

<textarea name="Form teacher[free text]" class="form_teacher_input" style="width:100%" rows="3">
</textarea>

<span class="ci_form_section_help">
</span>

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<style>
.ms-options-wrap,
.ms-options-wrap * {
box-sizing: border-box;
}

.ms-options-wrap > button:focus,
.ms-options-wrap > button {
position: relative;
width: 100%;
text-align: left;
border: 1px solid #aaa;
background-color: #fff;
padding: 5px 20px 5px 5px;
margin-top: 1px;
font-size: 13px;
color: #aaa;
outline-offset: -2px;
white-space: nowrap;
}

.ms-options-wrap > button > span {
display: inline-block;
}

.ms-options-wrap > button[disabled] {
background-color: #e5e9ed;
color: #808080;
opacity: 0.6;
}

.ms-options-wrap > button:after {
content: ' ';
height: 0;
position: absolute;
top: 50%;
right: 5px;
width: 0;
border: 6px solid rgba(0, 0, 0, 0);
border-top-color: #999;
margin-top: -3px;
}

.ms-options-wrap.ms-has-selections > button {
color: #333;
}

.ms-options-wrap > .ms-options {
position: absolute;
left: 0;
width: 100%;
margin-top: 1px;
margin-bottom: 20px;
background: white;
z-index: 2000;
border: 1px solid #aaa;
overflow: auto;
visibility: hidden;
}

.ms-options-wrap.ms-active > .ms-options {
visibility: visible
}

.ms-options-wrap > .ms-options > .ms-search input {
width: 100%;
padding: 4px 5px;
border: none;
border-bottom: 1px groove;
outline: none;
}

.ms-options-wrap > .ms-options .ms-selectall {
display: inline-block;
font-size: .9em;
text-transform: lowercase;
text-decoration: none;
}
.ms-options-wrap > .ms-options .ms-selectall:hover {
text-decoration: underline;
}

.ms-options-wrap > .ms-options > .ms-selectall.global {
margin: 4px 5px;
}

.ms-options-wrap > .ms-options > ul,
.ms-options-wrap > .ms-options > ul > li.optgroup ul {
list-style-type: none;
padding: 0;
margin: 0;
}

.ms-options-wrap > .ms-options > ul li.ms-hidden {
display: none;
}

.ms-options-wrap > .ms-options > ul > li.optgroup {
padding: 5px;
}
.ms-options-wrap > .ms-options > ul > li.optgroup + li.optgroup {
border-top: 1px solid #aaa;
}

.ms-options-wrap > .ms-options > ul > li.optgroup .label {
display: block;
padding: 5px 0 0 0;
font-weight: bold;
}

.ms-options-wrap > .ms-options > ul label {
position: relative;
display: inline-block;
width: 100%;
padding: 4px 4px 4px 20px;
margin: 1px 0;
border: 1px dotted transparent;
}
.ms-options-wrap > .ms-options.checkbox-autofit > ul label,
.ms-options-wrap > .ms-options.hide-checkbox > ul label {
padding: 4px;
}

.ms-options-wrap > .ms-options > ul label.focused,
.ms-options-wrap > .ms-options > ul label:hover {
background-color: #efefef;
border-color: #999;
}

.ms-options-wrap > .ms-options > ul li.selected label {
background-color: #efefef;
border-color: transparent;
}

.ms-options-wrap > .ms-options > ul input[type="checkbox"] {
margin: 0 5px 0 0;
position: absolute;
left: 4px;
top: 7px;
}

.ms-options-wrap > .ms-options.hide-checkbox > ul input[type="checkbox"] {
position: absolute !important;
height: 1px;
width: 1px;
overflow: hidden;
clip: rect(1px 1px 1px 1px);
clip: rect(1px, 1px, 1px, 1px);
}
</style>
<script>

/**
* Display a nice easy to use multiselect list
* @Version: 2.4.18
* @Author: Patrick Springstubbe
* @Contact: @JediNobleclem
* @Website: springstubbe.us
* @Source: https://github.com/nobleclem/jQuery-MultiSelect
*
* Usage:
* $('select[multiple]').multiselect();
* $('select[multiple]').multiselect({ texts: { placeholder: 'Select options' } });
* $('select[multiple]').multiselect('reload');
* $('select[multiple]').multiselect( 'loadOptions', [{
* name : 'Option Name 1',
* value : 'option-value-1',
* checked: false,
* attributes : {
* custom1: 'value1',
* custom2: 'value2'
* }
* },{
* name : 'Option Name 2',
* value : 'option-value-2',
* checked: false,
* attributes : {
* custom1: 'value1',
* custom2: 'value2'
* }
* }]);
*
**/
(function($){
var defaults = {
columns: 1, // how many columns should be use to show options
search : false, // include option search box

// search filter options
searchOptions : {
delay : 250, // time (in ms) between keystrokes until search happens
showOptGroups: false, // show option group titles if no options remaining
searchText : true, // search within the text
searchValue : false, // search within the value
onSearch : function( element ){} // fires on keyup before search on options happens
},

// plugin texts
texts: {
placeholder : 'Select options', // text to use in dummy input
search : 'Search', // search input placeholder text
selectedOptions: ' selected', // selected suffix text
selectAll : 'Select all', // select all text
unselectAll : 'Unselect all', // unselect all text
noneSelected : 'None Selected' // None selected text
},

// general options
selectAll : false, // add select all option
selectGroup : false, // select entire optgroup
minHeight : 200, // minimum height of option overlay
maxHeight : null, // maximum height of option overlay
maxWidth : null, // maximum width of option overlay (or selector)
maxPlaceholderWidth: null, // maximum width of placeholder button
maxPlaceholderOpts : 10, // maximum number of placeholder options to show until "# selected" shown instead
showCheckbox : true, // display the checkbox to the user
checkboxAutoFit : false, // auto calc checkbox padding
optionAttributes : [], // attributes to copy to the checkbox from the option element

// Callbacks
onLoad : function( element ){}, // fires at end of list initialization
onOptionClick : function( element, option ){}, // fires when an option is clicked
onControlClose: function( element ){}, // fires when the options list is closed
onSelectAll : function( element, selected ){}, // fires when (un)select all is clicked
onPlaceholder : function( element, placeholder, selectedOpts ){}, // fires when the placeholder txt is updated
};

var msCounter = 1; // counter for each select list
var msOptCounter = 1; // counter for each option on page

// FOR LEGACY BROWSERS (talking to you IE8)
if( typeof Array.prototype.map !== 'function' ) {
Array.prototype.map = function( callback, thisArg ) {
if( typeof thisArg === 'undefined' ) {
thisArg = this;
}

return $.isArray( thisArg ) ? $.map( thisArg, callback ) : [];
};
}
if( typeof String.prototype.trim !== 'function' ) {
String.prototype.trim = function() {
return this.replace(/^\s+|\s+$/g, '');
};
}

function MultiSelect( element, options )
{
this.element = element;
this.options = $.extend( true, {}, defaults, options );
this.updateSelectAll = true;
this.updatePlaceholder = true;
this.listNumber = msCounter;

msCounter = msCounter + 1; // increment counter

/* Make sure its a multiselect list */
if( !$(this.element).attr('multiple') ) {
throw new Error( '[jQuery-MultiSelect] Select list must be a multiselect list in order to use this plugin' );
}

/* Options validation checks */
if( this.options.search ){
if( !this.options.searchOptions.searchText && !this.options.searchOptions.searchValue ){
throw new Error( '[jQuery-MultiSelect] Either searchText or searchValue should be true.' );
}
}

/** BACKWARDS COMPATIBILITY **/
if( 'placeholder' in this.options ) {
this.options.texts.placeholder = this.options.placeholder;
delete this.options.placeholder;
}
if( 'default' in this.options.searchOptions ) {
this.options.texts.search = this.options.searchOptions['default'];
delete this.options.searchOptions['default'];
}
/** END BACKWARDS COMPATIBILITY **/

// load this instance
this.load();
}

MultiSelect.prototype = {
/* LOAD CUSTOM MULTISELECT DOM/ACTIONS */
load: function() {
var instance = this;

// make sure this is a select list and not loaded
if( (instance.element.nodeName != 'SELECT') || $(instance.element).hasClass('jqmsLoaded') ) {
return true;
}

// sanity check so we don't double load on a select element
$(instance.element).addClass('jqmsLoaded ms-list-'+ instance.listNumber ).data( 'plugin_multiselect-instance', instance );

// add option container
$(instance.element).after('<div id="ms-list-'+ instance.listNumber +'" class="ms-options-wrap"><button type="button"><span>None Selected</span></button><div class="ms-options"><ul></ul></div></div>');

var placeholder = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> button:first-child');
var optionsWrap = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');
var optionsList = optionsWrap.find('> ul');

// don't show checkbox (add class for css to hide checkboxes)
if( !instance.options.showCheckbox ) {
optionsWrap.addClass('hide-checkbox');
}
else if( instance.options.checkboxAutoFit ) {
optionsWrap.addClass('checkbox-autofit');
}

// check if list is disabled
if( $(instance.element).prop( 'disabled' ) ) {
placeholder.prop( 'disabled', true );
}

// set placeholder maxWidth
if( instance.options.maxPlaceholderWidth ) {
placeholder.css( 'maxWidth', instance.options.maxPlaceholderWidth );
}

// override with user defined maxHeight
if( instance.options.maxHeight ) {
var maxHeight = instance.options.maxHeight;
}
else {
// cacl default maxHeight
var maxHeight = ($(window).height() - optionsWrap.offset().top + $(window).scrollTop() - 20);
}

// maxHeight cannot be less than options.minHeight
maxHeight = maxHeight < instance.options.minHeight ? instance.options.minHeight : maxHeight;

optionsWrap.css({
maxWidth : instance.options.maxWidth,
minHeight: instance.options.minHeight,
maxHeight: maxHeight,
});

// isolate options scroll
// @source: https://github.com/nobleclem/jQuery-IsolatedScroll
optionsWrap.on( 'touchmove mousewheel DOMMouseScroll', function ( e ) {
if( ($(this).outerHeight() < $(this)[0].scrollHeight) ) {
var e0 = e.originalEvent,
delta = e0.wheelDelta || -e0.detail;

if( ($(this).outerHeight() + $(this)[0].scrollTop) > $(this)[0].scrollHeight ) {
e.preventDefault();
this.scrollTop += ( delta < 0 ? 1 : -1 );
}
}
});

// hide options menus if click happens off of the list placeholder button
$(document).off('click.ms-hideopts').on('click.ms-hideopts', function( event ){
if( !$(event.target).closest('.ms-options-wrap').length ) {
$('.ms-options-wrap.ms-active > .ms-options').each(function(){
$(this).closest('.ms-options-wrap').removeClass('ms-active');

var listID = $(this).closest('.ms-options-wrap').attr('id');

var thisInst = $(this).parent().siblings('.'+ listID +'.jqmsLoaded').data('plugin_multiselect-instance');

// USER CALLBACK
if( typeof thisInst.options.onControlClose == 'function' ) {
thisInst.options.onControlClose( thisInst.element );
}
});
}
// hide open option lists if escape key pressed
}).on('keydown', function( event ){
if( (event.keyCode || event.which) == 27 ) { // esc key
$(this).trigger('click.ms-hideopts');
}
});

// handle pressing enter|space while tabbing through
placeholder.on('keydown', function( event ){
var code = (event.keyCode || event.which);
if( (code == 13) || (code == 32) ) { // enter OR space
placeholder.trigger( 'mousedown' );
}
});

// disable button action
placeholder.on( 'mousedown', function( event ){
// ignore if its not a left click
if( event.which && (event.which != 1) ) {
return true;
}

// hide other menus before showing this one
$('.ms-options-wrap.ms-active').each(function(){
if( $(this).siblings( '.'+ $(this).attr('id') +'.jqmsLoaded')[0] != optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded')[0] ) {
$(this).removeClass('ms-active');

var thisInst = $(this).siblings( '.'+ $(this).attr('id') +'.jqmsLoaded').data('plugin_multiselect-instance');

// USER CALLBACK
if( typeof thisInst.options.onControlClose == 'function' ) {
thisInst.options.onControlClose( thisInst.element );
}
}
});

// show/hide options
optionsWrap.closest('.ms-options-wrap').toggleClass('ms-active');

// recalculate height
if( optionsWrap.closest('.ms-options-wrap').hasClass('ms-active') ) {
optionsWrap.css( 'maxHeight', '' );

// override with user defined maxHeight
if( instance.options.maxHeight ) {
var maxHeight = instance.options.maxHeight;
}
else {
// cacl default maxHeight
var maxHeight = ($(window).height() - optionsWrap.offset().top + $(window).scrollTop() - 20);
}

if( maxHeight ) {
// maxHeight cannot be less than options.minHeight
maxHeight = maxHeight < instance.options.minHeight ? instance.options.minHeight : maxHeight;

optionsWrap.css( 'maxHeight', maxHeight );
}
}
else if( typeof instance.options.onControlClose == 'function' ) {
instance.options.onControlClose( instance.element );
}
}).click(function( event ){ event.preventDefault(); });

// add placeholder copy
if( instance.options.texts.placeholder ) {
placeholder.find('span').text( instance.options.texts.placeholder );
}

// add search box
if( instance.options.search ) {
optionsList.before('<div class="ms-search"><input type="text" value="" placeholder="'+ instance.options.texts.search +'" /></div>');

var search = optionsWrap.find('.ms-search input');
search.on('keyup', function(){
// ignore keystrokes that don't make a difference
if( $(this).data('lastsearch') == $(this).val() ) {
return true;
}

// pause timeout
if( $(this).data('searchTimeout') ) {
clearTimeout( $(this).data('searchTimeout') );
}

var thisSearchElem = $(this);

$(this).data('searchTimeout', setTimeout(function(){
thisSearchElem.data('lastsearch', thisSearchElem.val() );

// USER CALLBACK
if( typeof instance.options.searchOptions.onSearch == 'function' ) {
instance.options.searchOptions.onSearch( instance.element );
}

// search non optgroup li's
var searchString = $.trim( search.val().toLowerCase() );
if( searchString ) {
optionsList.find('li[data-search-term*="'+ searchString +'"]:not(.optgroup)').removeClass('ms-hidden');
optionsList.find('li:not([data-search-term*="'+ searchString +'"], .optgroup)').addClass('ms-hidden');
}
else {
optionsList.find('.ms-hidden').removeClass('ms-hidden');
}

// show/hide optgroups based on if there are items visible within
if( !instance.options.searchOptions.showOptGroups ) {
optionsList.find('.optgroup').each(function(){
if( $(this).find('li:not(.ms-hidden)').length ) {
$(this).show();
}
else {
$(this).hide();
}
});
}

instance._updateSelectAllText();
}, instance.options.searchOptions.delay ));
});
}

// add global select all options
if( instance.options.selectAll ) {
optionsList.before('<a href="#" class="ms-selectall global">' + instance.options.texts.selectAll + '</a>');
}

// handle select all option
optionsWrap.on('click', '.ms-selectall', function( event ){
event.preventDefault();

instance.updateSelectAll = false;
instance.updatePlaceholder = false;

var select = optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded');

if( $(this).hasClass('global') ) {
// check if any options are not selected if so then select them
if( optionsList.find('li:not(.optgroup, .selected, .ms-hidden)').length ) {
// get unselected vals, mark as selected, return val list
optionsList.find('li:not(.optgroup, .selected, .ms-hidden)').addClass('selected');
optionsList.find('li.selected input[type="checkbox"]:not(:disabled)').prop( 'checked', true );
}
// deselect everything
else {
optionsList.find('li:not(.optgroup, .ms-hidden).selected').removeClass('selected');
optionsList.find('li:not(.optgroup, .ms-hidden, .selected) input[type="checkbox"]:not(:disabled)').prop( 'checked', false );
}
}
else if( $(this).closest('li').hasClass('optgroup') ) {
var optgroup = $(this).closest('li.optgroup');

// check if any selected if so then select them
if( optgroup.find('li:not(.selected, .ms-hidden)').length ) {
optgroup.find('li:not(.selected, .ms-hidden)').addClass('selected');
optgroup.find('li.selected input[type="checkbox"]:not(:disabled)').prop( 'checked', true );
}
// deselect everything
else {
optgroup.find('li:not(.ms-hidden).selected').removeClass('selected');
optgroup.find('li:not(.ms-hidden, .selected) input[type="checkbox"]:not(:disabled)').prop( 'checked', false );
}
}

var vals = [];
optionsList.find('li.selected input[type="checkbox"]').each(function(){
vals.push( $(this).val() );
});
select.val( vals ).trigger('change');

instance.updateSelectAll = true;
instance.updatePlaceholder = true;

// USER CALLBACK
if( typeof instance.options.onSelectAll == 'function' ) {
instance.options.onSelectAll( instance.element, vals.length );
}

instance._updateSelectAllText();
instance._updatePlaceholderText();
});

// add options to wrapper
var options = [];
$(instance.element).children().each(function(){
if( this.nodeName == 'OPTGROUP' ) {
var groupOptions = [];

$(this).children('option').each(function(){
var thisOptionAtts = {};
for( var i = 0; i < instance.options.optionAttributes.length; i++ ) {
var thisOptAttr = instance.options.optionAttributes[ i ];

if( $(this).attr( thisOptAttr ) !== undefined ) {
thisOptionAtts[ thisOptAttr ] = $(this).attr( thisOptAttr );
}
}

groupOptions.push({
name : $(this).text(),
value : $(this).val(),
checked: $(this).prop( 'selected' ),
attributes: thisOptionAtts
});
});

options.push({
label : $(this).attr('label'),
options: groupOptions
});
}
else if( this.nodeName == 'OPTION' ) {
var thisOptionAtts = {};
for( var i = 0; i < instance.options.optionAttributes.length; i++ ) {
var thisOptAttr = instance.options.optionAttributes[ i ];

if( $(this).attr( thisOptAttr ) !== undefined ) {
thisOptionAtts[ thisOptAttr ] = $(this).attr( thisOptAttr );
}
}

options.push({
name : $(this).text(),
value : $(this).val(),
checked : $(this).prop( 'selected' ),
attributes: thisOptionAtts
});
}
else {
// bad option
return true;
}
});
instance.loadOptions( options, true, false );

// BIND SELECT ACTION
optionsWrap.on( 'click', 'input[type="checkbox"]', function(){
$(this).closest( 'li' ).toggleClass( 'selected' );

var select = optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded');

// toggle clicked option
select.find('option[value="'+ instance._escapeSelector( $(this).val() ) +'"]').prop(
'selected', $(this).is(':checked')
).closest('select').trigger('change');

// USER CALLBACK
if( typeof instance.options.onOptionClick == 'function' ) {
instance.options.onOptionClick(instance.element, this);
}

instance._updateSelectAllText();
instance._updatePlaceholderText();
});

// BIND FOCUS EVENT
optionsWrap.on('focusin', 'input[type="checkbox"]', function(){
$(this).closest('label').addClass('focused');
}).on('focusout', 'input[type="checkbox"]', function(){
$(this).closest('label').removeClass('focused');
});

// USER CALLBACK
if( typeof instance.options.onLoad === 'function' ) {
instance.options.onLoad( instance.element );
}

// hide native select list
$(instance.element).hide();
},

/* LOAD SELECT OPTIONS */
loadOptions: function( options, overwrite, updateSelect ) {
overwrite = (typeof overwrite == 'boolean') ? overwrite : true;
updateSelect = (typeof updateSelect == 'boolean') ? updateSelect : true;

var instance = this;
var select = $(instance.element);
var optionsList = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options > ul');
var optionsWrap = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

if( overwrite ) {
optionsList.find('> li').remove();

if( updateSelect ) {
select.find('> *').remove();
}
}

var containers = [];
for( var key in options ) {
// Prevent prototype methods injected into options from being iterated over.
if( !options.hasOwnProperty( key ) ) {
continue;
}

var thisOption = options[ key ];
var container = $('<li/>');
var appendContainer = true;

// OPTION
if( thisOption.hasOwnProperty('value') ) {
if( instance.options.showCheckbox && instance.options.checkboxAutoFit ) {
container.addClass('ms-reflow');
}

// add option to ms dropdown
instance._addOption( container, thisOption );

if( updateSelect ) {
var selOption = $('<option/>', {
value: thisOption.value,
text : thisOption.name
});

// add custom user attributes
if( thisOption.hasOwnProperty('attributes') && Object.keys( thisOption.attributes ).length ) {
selOption.attr( thisOption.attributes );
}

// mark option as selected
if( thisOption.checked ) {
selOption.prop( 'selected', true );
}

select.append( selOption );
}
}
// OPTGROUP
else if( thisOption.hasOwnProperty('options') ) {
var optGroup = $('<optgroup/>', {
label: thisOption.label
});

optionsList.find('> li.optgroup > span.label').each(function(){
if( $(this).text() == thisOption.label ) {
container = $(this).closest('.optgroup');
appendContainer = false;
}
});

// prepare to append optgroup to select element
if( updateSelect ) {
if( select.find('optgroup[label="'+ thisOption.label +'"]').length ) {
optGroup = select.find('optgroup[label="'+ thisOption.label +'"]');
}
else {
select.append( optGroup );
}
}

// setup container
if( appendContainer ) {
container.addClass('optgroup');
container.append('<span class="label">'+ thisOption.label +'</span>');
container.find('> .label').css({
clear: 'both'
});

// add select all link
if( instance.options.selectGroup ) {
container.append('<a href="#" class="ms-selectall">' + instance.options.texts.selectAll + '</a>');
}

container.append('<ul/>');
}

for( var gKey in thisOption.options ) {
// Prevent prototype methods injected into options from
// being iterated over.
if( !thisOption.options.hasOwnProperty( gKey ) ) {
continue;
}

var thisGOption = thisOption.options[ gKey ];
var gContainer = $('<li/>');
if( instance.options.showCheckbox && instance.options.checkboxAutoFit ) {
gContainer.addClass('ms-reflow');
}

// no clue what this is we hit (skip)
if( !thisGOption.hasOwnProperty('value') ) {
continue;
}

instance._addOption( gContainer, thisGOption );

container.find('> ul').append( gContainer );

// add option to optgroup in select element
if( updateSelect ) {
var selOption = $('<option/>', {
value: thisGOption.value,
text : thisGOption.name
});

// add custom user attributes
if( thisGOption.hasOwnProperty('attributes') && Object.keys( thisGOption.attributes ).length ) {
selOption.attr( thisGOption.attributes );
}

// mark option as selected
if( thisGOption.checked ) {
selOption.prop( 'selected', true );
}

optGroup.append( selOption );
}
}
}
else {
// no clue what this is we hit (skip)
continue;
}

if( appendContainer ) {
containers.push( container );
}
}
optionsList.append( containers );

// pad out label for room for the checkbox
if( instance.options.checkboxAutoFit && instance.options.showCheckbox && !optionsWrap.hasClass('hide-checkbox') ) {
var chkbx = optionsList.find('.ms-reflow:eq(0) input[type="checkbox"]');
if( chkbx.length ) {
var checkboxWidth = chkbx.outerWidth();
checkboxWidth = checkboxWidth ? checkboxWidth : 15;

optionsList.find('.ms-reflow label').css(
'padding-left',
(parseInt( chkbx.closest('label').css('padding-left') ) * 2) + checkboxWidth
);

optionsList.find('.ms-reflow').removeClass('ms-reflow');
}
}

// update placeholder text
instance._updatePlaceholderText();

// RESET COLUMN STYLES
optionsWrap.find('ul').css({
'column-count' : '',
'column-gap' : '',
'-webkit-column-count': '',
'-webkit-column-gap' : '',
'-moz-column-count' : '',
'-moz-column-gap' : ''
});

// COLUMNIZE
if( select.find('optgroup').length ) {
// float non grouped options
optionsList.find('> li:not(.optgroup)').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});

// add CSS3 column styles
optionsList.find('li.optgroup').css({
clear: 'both'
}).find('> ul').css({
'column-count' : instance.options.columns,
'column-gap' : 0,
'-webkit-column-count': instance.options.columns,
'-webkit-column-gap' : 0,
'-moz-column-count' : instance.options.columns,
'-moz-column-gap' : 0
});

// for crappy IE versions float grouped options
if( this._ieVersion() && (this._ieVersion() < 10) ) {
optionsList.find('li.optgroup > ul > li').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});
}
}
else {
// add CSS3 column styles
optionsList.css({
'column-count' : instance.options.columns,
'column-gap' : 0,
'-webkit-column-count': instance.options.columns,
'-webkit-column-gap' : 0,
'-moz-column-count' : instance.options.columns,
'-moz-column-gap' : 0
});

// for crappy IE versions float grouped options
if( this._ieVersion() && (this._ieVersion() < 10) ) {
optionsList.find('> li').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});
}
}

// update un/select all logic
instance._updateSelectAllText();
},

/* UPDATE MULTISELECT CONFIG OPTIONS */
settings: function( options ) {
this.options = $.extend( true, {}, this.options, options );
this.reload();
},

/* RESET THE DOM */
unload: function() {
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').remove();
$(this.element).show(function(){
$(this).css('display','').removeClass('jqmsLoaded');
});
},

/* RELOAD JQ MULTISELECT LIST */
reload: function() {
// remove existing options
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').remove();
$(this.element).removeClass('jqmsLoaded');

// load element
this.load();
},

// RESET BACK TO DEFAULT VALUES & RELOAD
reset: function() {
var defaultVals = [];
$(this.element).find('option').each(function(){
if( $(this).prop('defaultSelected') ) {
defaultVals.push( $(this).val() );
}
});

$(this.element).val( defaultVals );

this.reload();
},

disable: function( status ) {
status = (typeof status === 'boolean') ? status : true;
$(this.element).prop( 'disabled', status );
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').find('button:first-child')
.prop( 'disabled', status );
},

/** PRIVATE FUNCTIONS **/
// update the un/select all texts based on selected options and visibility
_updateSelectAllText: function(){
if( !this.updateSelectAll ) {
return;
}

var instance = this;

// select all not used at all so just do nothing
if( !instance.options.selectAll && !instance.options.selectGroup ) {
return;
}

var optionsWrap = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

// update un/select all text
optionsWrap.find('.ms-selectall').each(function(){
var unselected = $(this).parent().find('li:not(.optgroup,.selected,.ms-hidden)');

$(this).text(
unselected.length ? instance.options.texts.selectAll : instance.options.texts.unselectAll
);
});
},

// update selected placeholder text
_updatePlaceholderText: function(){
if( !this.updatePlaceholder ) {
return;
}

var instance = this;
var select = $(instance.element);
var selectVals = select.val() ? select.val() : [];
var placeholder = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> button:first-child');
var placeholderTxt = placeholder.find('span');
var optionsWrap = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

// if there are disabled options get those values as well
if( select.find('option:selected:disabled').length ) {
selectVals = [];
select.find('option:selected').each(function(){
selectVals.push( $(this).val() );
});
}

// get selected options
var selOpts = [];
for( var key in selectVals ) {
// Prevent prototype methods injected into options from being iterated over.
if( !selectVals.hasOwnProperty( key ) ) {
continue;
}

selOpts.push(
$.trim( select.find('option[value="'+ instance._escapeSelector( selectVals[ key ] ) +'"]').text() )
);

if( selOpts.length >= instance.options.maxPlaceholderOpts ) {
break;
}
}

// UPDATE PLACEHOLDER TEXT WITH OPTIONS SELECTED
placeholderTxt.text( selOpts.join( ', ' ) );

if( selOpts.length ) {
optionsWrap.closest('.ms-options-wrap').addClass('ms-has-selections');

// USER CALLBACK
if( typeof instance.options.onPlaceholder == 'function' ) {
instance.options.onPlaceholder( instance.element, placeholderTxt, selOpts );
}
}
else {
optionsWrap.closest('.ms-options-wrap').removeClass('ms-has-selections');
}

// replace placeholder text
if( !selOpts.length ) {
placeholderTxt.text( instance.options.texts.placeholder );
}
// if copy is larger than button width use "# selected"
else if( (placeholderTxt.width() > placeholder.width()) || (selOpts.length != selectVals.length) ) {
placeholderTxt.text( selectVals.length + instance.options.texts.selectedOptions );
}
},

// Add option to the custom dom list
_addOption: function( container, option ) {
var instance = this;
var optionNameText = $('<div/>').html( option.name ).text();

var thisOption = $('<label/>', {
for : 'ms-opt-'+ msOptCounter
}).html( option.name );

var thisCheckbox = $('<input>', {
type : 'checkbox',
title: optionNameText,
id : 'ms-opt-'+ msOptCounter,
value: option.value
});

// add user defined attributes
if( option.hasOwnProperty('attributes') && Object.keys( option.attributes ).length ) {
thisCheckbox.attr( option.attributes );
}

if( option.checked ) {
container.addClass('default selected');
thisCheckbox.prop( 'checked', true );
}

thisOption.prepend( thisCheckbox );

var searchTerm = '';
if( instance.options.searchOptions.searchText ) {
searchTerm += ' ' + optionNameText.toLowerCase();
}
if( instance.options.searchOptions.searchValue ) {
searchTerm += ' ' + option.value.toLowerCase();
}

container.attr( 'data-search-term', $.trim( searchTerm ) ).prepend( thisOption );

msOptCounter = msOptCounter + 1;
},

// check ie version
_ieVersion: function() {
var myNav = navigator.userAgent.toLowerCase();
return (myNav.indexOf('msie') != -1) ? parseInt(myNav.split('msie')[1]) : false;
},

// escape selector
_escapeSelector: function( string ) {
if( typeof $.escapeSelector == 'function' ) {
return $.escapeSelector( string );
}
else {
return string.replace(/[!"#$%&'()*+,.\/:;<=>?@[\\\]^`{|}~]/g, "\\$&");
}
}
};

// ENABLE JQUERY PLUGIN FUNCTION
$.fn.multiselect = function( options ){
if( !this.length ) {
return;
}

var args = arguments;
var ret;

// menuize each list
if( (options === undefined) || (typeof options === 'object') ) {
return this.each(function(){
if( !$.data( this, 'plugin_multiselect' ) ) {
$.data( this, 'plugin_multiselect', new MultiSelect( this, options ) );
}
});
} else if( (typeof options === 'string') && (options[0] !== '_') && (options !== 'init') ) {
this.each(function(){
var instance = $.data( this, 'plugin_multiselect' );

if( instance instanceof MultiSelect && typeof instance[ options ] === 'function' ) {
ret = instance[ options ].apply( instance, Array.prototype.slice.call( args, 1 ) );
}

// special destruct handler
if( options === 'unload' ) {
$.data( this, 'plugin_multiselect', null );
}
});

return ret;
}
};
}(jQuery));
$(function(){
$('select[multiple]').multiselect();
$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});
</script>

</html>

Form:Teacher html

2020-03-02T14:49:09Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
First Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[First Name]" value="">

</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Last Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Last Name]" value="">

</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Curriculum
</span>

<textarea name="Form teacher[Curriculum]" class="form_teacher_input" style="width:100%" rows="3">
</textarea>

<span class="ci_form_section_help">
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Phone
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Phone]" value="">

</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Email
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Email]" value="">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Role
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Role]" value="">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Spoken Languages
</span>

<select id="select_languages" multiple class="ci_form_input" name="Form teacher[Spoken Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Spoken Languages
</span>

<select id="select_languages" multiple class="ci_form_input" name="Form teacher[Spoken Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Mother Languages
</span>

<select id="select_languages" class="ci_form_input" name="Form teacher[Mother Languages]">
<option></option>
<option value="AF">Afrikaans</option>
<option value="SQ">Albanian</option>
<option value="AR">Arabic</option>
<option value="HY">Armenian</option>
<option value="EU">Basque</option>
<option value="BN">Bengali</option>
<option value="BG">Bulgarian</option>
<option value="CA">Catalan</option>
<option value="KM">Cambodian</option>
<option value="ZH">Chinese (Mandarin)</option>
<option value="HR">Croatian</option>
<option value="CS">Czech</option>
<option value="DA">Danish</option>
<option value="NL">Dutch</option>
<option value="EN">English</option>
<option value="ET">Estonian</option>
<option value="FJ">Fiji</option>
<option value="FI">Finnish</option>
<option value="FR">French</option>
<option value="KA">Georgian</option>
<option value="DE">German</option>
<option value="EL">Greek</option>
<option value="GU">Gujarati</option>
<option value="HE">Hebrew</option>
<option value="HI">Hindi</option>
<option value="HU">Hungarian</option>
<option value="IS">Icelandic</option>
<option value="ID">Indonesian</option>
<option value="GA">Irish</option>
<option value="IT">Italian</option>
<option value="JA">Japanese</option>
<option value="JW">Javanese</option>
<option value="KO">Korean</option>
<option value="LA">Latin</option>
<option value="LV">Latvian</option>
<option value="LT">Lithuanian</option>
<option value="MK">Macedonian</option>
<option value="MS">Malay</option>
<option value="ML">Malayalam</option>
<option value="MT">Maltese</option>
<option value="MI">Maori</option>
<option value="MR">Marathi</option>
<option value="MN">Mongolian</option>
<option value="NE">Nepali</option>
<option value="NO">Norwegian</option>
<option value="FA">Persian</option>
<option value="PL">Polish</option>
<option value="PT">Portuguese</option>
<option value="PA">Punjabi</option>
<option value="QU">Quechua</option>
<option value="RO">Romanian</option>
<option value="RU">Russian</option>
<option value="SM">Samoan</option>
<option value="SR">Serbian</option>
<option value="SK">Slovak</option>
<option value="SL">Slovenian</option>
<option value="ES">Spanish</option>
<option value="SW">Swahili</option>
<option value="SV">Swedish </option>
<option value="TA">Tamil</option>
<option value="TT">Tatar</option>
<option value="TE">Telugu</option>
<option value="TH">Thai</option>
<option value="BO">Tibetan</option>
<option value="TO">Tonga</option>
<option value="TR">Turkish</option>
<option value="UK">Ukrainian</option>
<option value="UR">Urdu</option>
<option value="UZ">Uzbek</option>
<option value="VI">Vietnamese</option>
<option value="CY">Welsh</option>
<option value="XH">Xhosa</option>
</select>
<span class="ci_form_section_help">

</span>
</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Phone
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form teacher[Phone]" value="">

</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Free Text
</span>

<textarea name="Form teacher[free text]" class="form_teacher_input" style="width:100%" rows="3">
</textarea>

<span class="ci_form_section_help">
</span>

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>
</style>
.ms-options-wrap,
.ms-options-wrap * {
box-sizing: border-box;
}

.ms-options-wrap > button:focus,
.ms-options-wrap > button {
position: relative;
width: 100%;
text-align: left;
border: 1px solid #aaa;
background-color: #fff;
padding: 5px 20px 5px 5px;
margin-top: 1px;
font-size: 13px;
color: #aaa;
outline-offset: -2px;
white-space: nowrap;
}

.ms-options-wrap > button > span {
display: inline-block;
}

.ms-options-wrap > button[disabled] {
background-color: #e5e9ed;
color: #808080;
opacity: 0.6;
}

.ms-options-wrap > button:after {
content: ' ';
height: 0;
position: absolute;
top: 50%;
right: 5px;
width: 0;
border: 6px solid rgba(0, 0, 0, 0);
border-top-color: #999;
margin-top: -3px;
}

.ms-options-wrap.ms-has-selections > button {
color: #333;
}

.ms-options-wrap > .ms-options {
position: absolute;
left: 0;
width: 100%;
margin-top: 1px;
margin-bottom: 20px;
background: white;
z-index: 2000;
border: 1px solid #aaa;
overflow: auto;
visibility: hidden;
}

.ms-options-wrap.ms-active > .ms-options {
visibility: visible
}

.ms-options-wrap > .ms-options > .ms-search input {
width: 100%;
padding: 4px 5px;
border: none;
border-bottom: 1px groove;
outline: none;
}

.ms-options-wrap > .ms-options .ms-selectall {
display: inline-block;
font-size: .9em;
text-transform: lowercase;
text-decoration: none;
}
.ms-options-wrap > .ms-options .ms-selectall:hover {
text-decoration: underline;
}

.ms-options-wrap > .ms-options > .ms-selectall.global {
margin: 4px 5px;
}

.ms-options-wrap > .ms-options > ul,
.ms-options-wrap > .ms-options > ul > li.optgroup ul {
list-style-type: none;
padding: 0;
margin: 0;
}

.ms-options-wrap > .ms-options > ul li.ms-hidden {
display: none;
}

.ms-options-wrap > .ms-options > ul > li.optgroup {
padding: 5px;
}
.ms-options-wrap > .ms-options > ul > li.optgroup + li.optgroup {
border-top: 1px solid #aaa;
}

.ms-options-wrap > .ms-options > ul > li.optgroup .label {
display: block;
padding: 5px 0 0 0;
font-weight: bold;
}

.ms-options-wrap > .ms-options > ul label {
position: relative;
display: inline-block;
width: 100%;
padding: 4px 4px 4px 20px;
margin: 1px 0;
border: 1px dotted transparent;
}
.ms-options-wrap > .ms-options.checkbox-autofit > ul label,
.ms-options-wrap > .ms-options.hide-checkbox > ul label {
padding: 4px;
}

.ms-options-wrap > .ms-options > ul label.focused,
.ms-options-wrap > .ms-options > ul label:hover {
background-color: #efefef;
border-color: #999;
}

.ms-options-wrap > .ms-options > ul li.selected label {
background-color: #efefef;
border-color: transparent;
}

.ms-options-wrap > .ms-options > ul input[type="checkbox"] {
margin: 0 5px 0 0;
position: absolute;
left: 4px;
top: 7px;
}

.ms-options-wrap > .ms-options.hide-checkbox > ul input[type="checkbox"] {
position: absolute !important;
height: 1px;
width: 1px;
overflow: hidden;
clip: rect(1px 1px 1px 1px);
clip: rect(1px, 1px, 1px, 1px);
}
</style>
<script>

/**
* Display a nice easy to use multiselect list
* @Version: 2.4.18
* @Author: Patrick Springstubbe
* @Contact: @JediNobleclem
* @Website: springstubbe.us
* @Source: https://github.com/nobleclem/jQuery-MultiSelect
*
* Usage:
* $('select[multiple]').multiselect();
* $('select[multiple]').multiselect({ texts: { placeholder: 'Select options' } });
* $('select[multiple]').multiselect('reload');
* $('select[multiple]').multiselect( 'loadOptions', [{
* name : 'Option Name 1',
* value : 'option-value-1',
* checked: false,
* attributes : {
* custom1: 'value1',
* custom2: 'value2'
* }
* },{
* name : 'Option Name 2',
* value : 'option-value-2',
* checked: false,
* attributes : {
* custom1: 'value1',
* custom2: 'value2'
* }
* }]);
*
**/
(function($){
var defaults = {
columns: 1, // how many columns should be use to show options
search : false, // include option search box

// search filter options
searchOptions : {
delay : 250, // time (in ms) between keystrokes until search happens
showOptGroups: false, // show option group titles if no options remaining
searchText : true, // search within the text
searchValue : false, // search within the value
onSearch : function( element ){} // fires on keyup before search on options happens
},

// plugin texts
texts: {
placeholder : 'Select options', // text to use in dummy input
search : 'Search', // search input placeholder text
selectedOptions: ' selected', // selected suffix text
selectAll : 'Select all', // select all text
unselectAll : 'Unselect all', // unselect all text
noneSelected : 'None Selected' // None selected text
},

// general options
selectAll : false, // add select all option
selectGroup : false, // select entire optgroup
minHeight : 200, // minimum height of option overlay
maxHeight : null, // maximum height of option overlay
maxWidth : null, // maximum width of option overlay (or selector)
maxPlaceholderWidth: null, // maximum width of placeholder button
maxPlaceholderOpts : 10, // maximum number of placeholder options to show until "# selected" shown instead
showCheckbox : true, // display the checkbox to the user
checkboxAutoFit : false, // auto calc checkbox padding
optionAttributes : [], // attributes to copy to the checkbox from the option element

// Callbacks
onLoad : function( element ){}, // fires at end of list initialization
onOptionClick : function( element, option ){}, // fires when an option is clicked
onControlClose: function( element ){}, // fires when the options list is closed
onSelectAll : function( element, selected ){}, // fires when (un)select all is clicked
onPlaceholder : function( element, placeholder, selectedOpts ){}, // fires when the placeholder txt is updated
};

var msCounter = 1; // counter for each select list
var msOptCounter = 1; // counter for each option on page

// FOR LEGACY BROWSERS (talking to you IE8)
if( typeof Array.prototype.map !== 'function' ) {
Array.prototype.map = function( callback, thisArg ) {
if( typeof thisArg === 'undefined' ) {
thisArg = this;
}

return $.isArray( thisArg ) ? $.map( thisArg, callback ) : [];
};
}
if( typeof String.prototype.trim !== 'function' ) {
String.prototype.trim = function() {
return this.replace(/^\s+|\s+$/g, '');
};
}

function MultiSelect( element, options )
{
this.element = element;
this.options = $.extend( true, {}, defaults, options );
this.updateSelectAll = true;
this.updatePlaceholder = true;
this.listNumber = msCounter;

msCounter = msCounter + 1; // increment counter

/* Make sure its a multiselect list */
if( !$(this.element).attr('multiple') ) {
throw new Error( '[jQuery-MultiSelect] Select list must be a multiselect list in order to use this plugin' );
}

/* Options validation checks */
if( this.options.search ){
if( !this.options.searchOptions.searchText && !this.options.searchOptions.searchValue ){
throw new Error( '[jQuery-MultiSelect] Either searchText or searchValue should be true.' );
}
}

/** BACKWARDS COMPATIBILITY **/
if( 'placeholder' in this.options ) {
this.options.texts.placeholder = this.options.placeholder;
delete this.options.placeholder;
}
if( 'default' in this.options.searchOptions ) {
this.options.texts.search = this.options.searchOptions['default'];
delete this.options.searchOptions['default'];
}
/** END BACKWARDS COMPATIBILITY **/

// load this instance
this.load();
}

MultiSelect.prototype = {
/* LOAD CUSTOM MULTISELECT DOM/ACTIONS */
load: function() {
var instance = this;

// make sure this is a select list and not loaded
if( (instance.element.nodeName != 'SELECT') || $(instance.element).hasClass('jqmsLoaded') ) {
return true;
}

// sanity check so we don't double load on a select element
$(instance.element).addClass('jqmsLoaded ms-list-'+ instance.listNumber ).data( 'plugin_multiselect-instance', instance );

// add option container
$(instance.element).after('<div id="ms-list-'+ instance.listNumber +'" class="ms-options-wrap"><button type="button"><span>None Selected</span></button><div class="ms-options"><ul></ul></div></div>');

var placeholder = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> button:first-child');
var optionsWrap = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');
var optionsList = optionsWrap.find('> ul');

// don't show checkbox (add class for css to hide checkboxes)
if( !instance.options.showCheckbox ) {
optionsWrap.addClass('hide-checkbox');
}
else if( instance.options.checkboxAutoFit ) {
optionsWrap.addClass('checkbox-autofit');
}

// check if list is disabled
if( $(instance.element).prop( 'disabled' ) ) {
placeholder.prop( 'disabled', true );
}

// set placeholder maxWidth
if( instance.options.maxPlaceholderWidth ) {
placeholder.css( 'maxWidth', instance.options.maxPlaceholderWidth );
}

// override with user defined maxHeight
if( instance.options.maxHeight ) {
var maxHeight = instance.options.maxHeight;
}
else {
// cacl default maxHeight
var maxHeight = ($(window).height() - optionsWrap.offset().top + $(window).scrollTop() - 20);
}

// maxHeight cannot be less than options.minHeight
maxHeight = maxHeight < instance.options.minHeight ? instance.options.minHeight : maxHeight;

optionsWrap.css({
maxWidth : instance.options.maxWidth,
minHeight: instance.options.minHeight,
maxHeight: maxHeight,
});

// isolate options scroll
// @source: https://github.com/nobleclem/jQuery-IsolatedScroll
optionsWrap.on( 'touchmove mousewheel DOMMouseScroll', function ( e ) {
if( ($(this).outerHeight() < $(this)[0].scrollHeight) ) {
var e0 = e.originalEvent,
delta = e0.wheelDelta || -e0.detail;

if( ($(this).outerHeight() + $(this)[0].scrollTop) > $(this)[0].scrollHeight ) {
e.preventDefault();
this.scrollTop += ( delta < 0 ? 1 : -1 );
}
}
});

// hide options menus if click happens off of the list placeholder button
$(document).off('click.ms-hideopts').on('click.ms-hideopts', function( event ){
if( !$(event.target).closest('.ms-options-wrap').length ) {
$('.ms-options-wrap.ms-active > .ms-options').each(function(){
$(this).closest('.ms-options-wrap').removeClass('ms-active');

var listID = $(this).closest('.ms-options-wrap').attr('id');

var thisInst = $(this).parent().siblings('.'+ listID +'.jqmsLoaded').data('plugin_multiselect-instance');

// USER CALLBACK
if( typeof thisInst.options.onControlClose == 'function' ) {
thisInst.options.onControlClose( thisInst.element );
}
});
}
// hide open option lists if escape key pressed
}).on('keydown', function( event ){
if( (event.keyCode || event.which) == 27 ) { // esc key
$(this).trigger('click.ms-hideopts');
}
});

// handle pressing enter|space while tabbing through
placeholder.on('keydown', function( event ){
var code = (event.keyCode || event.which);
if( (code == 13) || (code == 32) ) { // enter OR space
placeholder.trigger( 'mousedown' );
}
});

// disable button action
placeholder.on( 'mousedown', function( event ){
// ignore if its not a left click
if( event.which && (event.which != 1) ) {
return true;
}

// hide other menus before showing this one
$('.ms-options-wrap.ms-active').each(function(){
if( $(this).siblings( '.'+ $(this).attr('id') +'.jqmsLoaded')[0] != optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded')[0] ) {
$(this).removeClass('ms-active');

var thisInst = $(this).siblings( '.'+ $(this).attr('id') +'.jqmsLoaded').data('plugin_multiselect-instance');

// USER CALLBACK
if( typeof thisInst.options.onControlClose == 'function' ) {
thisInst.options.onControlClose( thisInst.element );
}
}
});

// show/hide options
optionsWrap.closest('.ms-options-wrap').toggleClass('ms-active');

// recalculate height
if( optionsWrap.closest('.ms-options-wrap').hasClass('ms-active') ) {
optionsWrap.css( 'maxHeight', '' );

// override with user defined maxHeight
if( instance.options.maxHeight ) {
var maxHeight = instance.options.maxHeight;
}
else {
// cacl default maxHeight
var maxHeight = ($(window).height() - optionsWrap.offset().top + $(window).scrollTop() - 20);
}

if( maxHeight ) {
// maxHeight cannot be less than options.minHeight
maxHeight = maxHeight < instance.options.minHeight ? instance.options.minHeight : maxHeight;

optionsWrap.css( 'maxHeight', maxHeight );
}
}
else if( typeof instance.options.onControlClose == 'function' ) {
instance.options.onControlClose( instance.element );
}
}).click(function( event ){ event.preventDefault(); });

// add placeholder copy
if( instance.options.texts.placeholder ) {
placeholder.find('span').text( instance.options.texts.placeholder );
}

// add search box
if( instance.options.search ) {
optionsList.before('<div class="ms-search"><input type="text" value="" placeholder="'+ instance.options.texts.search +'" /></div>');

var search = optionsWrap.find('.ms-search input');
search.on('keyup', function(){
// ignore keystrokes that don't make a difference
if( $(this).data('lastsearch') == $(this).val() ) {
return true;
}

// pause timeout
if( $(this).data('searchTimeout') ) {
clearTimeout( $(this).data('searchTimeout') );
}

var thisSearchElem = $(this);

$(this).data('searchTimeout', setTimeout(function(){
thisSearchElem.data('lastsearch', thisSearchElem.val() );

// USER CALLBACK
if( typeof instance.options.searchOptions.onSearch == 'function' ) {
instance.options.searchOptions.onSearch( instance.element );
}

// search non optgroup li's
var searchString = $.trim( search.val().toLowerCase() );
if( searchString ) {
optionsList.find('li[data-search-term*="'+ searchString +'"]:not(.optgroup)').removeClass('ms-hidden');
optionsList.find('li:not([data-search-term*="'+ searchString +'"], .optgroup)').addClass('ms-hidden');
}
else {
optionsList.find('.ms-hidden').removeClass('ms-hidden');
}

// show/hide optgroups based on if there are items visible within
if( !instance.options.searchOptions.showOptGroups ) {
optionsList.find('.optgroup').each(function(){
if( $(this).find('li:not(.ms-hidden)').length ) {
$(this).show();
}
else {
$(this).hide();
}
});
}

instance._updateSelectAllText();
}, instance.options.searchOptions.delay ));
});
}

// add global select all options
if( instance.options.selectAll ) {
optionsList.before('<a href="#" class="ms-selectall global">' + instance.options.texts.selectAll + '</a>');
}

// handle select all option
optionsWrap.on('click', '.ms-selectall', function( event ){
event.preventDefault();

instance.updateSelectAll = false;
instance.updatePlaceholder = false;

var select = optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded');

if( $(this).hasClass('global') ) {
// check if any options are not selected if so then select them
if( optionsList.find('li:not(.optgroup, .selected, .ms-hidden)').length ) {
// get unselected vals, mark as selected, return val list
optionsList.find('li:not(.optgroup, .selected, .ms-hidden)').addClass('selected');
optionsList.find('li.selected input[type="checkbox"]:not(:disabled)').prop( 'checked', true );
}
// deselect everything
else {
optionsList.find('li:not(.optgroup, .ms-hidden).selected').removeClass('selected');
optionsList.find('li:not(.optgroup, .ms-hidden, .selected) input[type="checkbox"]:not(:disabled)').prop( 'checked', false );
}
}
else if( $(this).closest('li').hasClass('optgroup') ) {
var optgroup = $(this).closest('li.optgroup');

// check if any selected if so then select them
if( optgroup.find('li:not(.selected, .ms-hidden)').length ) {
optgroup.find('li:not(.selected, .ms-hidden)').addClass('selected');
optgroup.find('li.selected input[type="checkbox"]:not(:disabled)').prop( 'checked', true );
}
// deselect everything
else {
optgroup.find('li:not(.ms-hidden).selected').removeClass('selected');
optgroup.find('li:not(.ms-hidden, .selected) input[type="checkbox"]:not(:disabled)').prop( 'checked', false );
}
}

var vals = [];
optionsList.find('li.selected input[type="checkbox"]').each(function(){
vals.push( $(this).val() );
});
select.val( vals ).trigger('change');

instance.updateSelectAll = true;
instance.updatePlaceholder = true;

// USER CALLBACK
if( typeof instance.options.onSelectAll == 'function' ) {
instance.options.onSelectAll( instance.element, vals.length );
}

instance._updateSelectAllText();
instance._updatePlaceholderText();
});

// add options to wrapper
var options = [];
$(instance.element).children().each(function(){
if( this.nodeName == 'OPTGROUP' ) {
var groupOptions = [];

$(this).children('option').each(function(){
var thisOptionAtts = {};
for( var i = 0; i < instance.options.optionAttributes.length; i++ ) {
var thisOptAttr = instance.options.optionAttributes[ i ];

if( $(this).attr( thisOptAttr ) !== undefined ) {
thisOptionAtts[ thisOptAttr ] = $(this).attr( thisOptAttr );
}
}

groupOptions.push({
name : $(this).text(),
value : $(this).val(),
checked: $(this).prop( 'selected' ),
attributes: thisOptionAtts
});
});

options.push({
label : $(this).attr('label'),
options: groupOptions
});
}
else if( this.nodeName == 'OPTION' ) {
var thisOptionAtts = {};
for( var i = 0; i < instance.options.optionAttributes.length; i++ ) {
var thisOptAttr = instance.options.optionAttributes[ i ];

if( $(this).attr( thisOptAttr ) !== undefined ) {
thisOptionAtts[ thisOptAttr ] = $(this).attr( thisOptAttr );
}
}

options.push({
name : $(this).text(),
value : $(this).val(),
checked : $(this).prop( 'selected' ),
attributes: thisOptionAtts
});
}
else {
// bad option
return true;
}
});
instance.loadOptions( options, true, false );

// BIND SELECT ACTION
optionsWrap.on( 'click', 'input[type="checkbox"]', function(){
$(this).closest( 'li' ).toggleClass( 'selected' );

var select = optionsWrap.parent().siblings('.ms-list-'+ instance.listNumber +'.jqmsLoaded');

// toggle clicked option
select.find('option[value="'+ instance._escapeSelector( $(this).val() ) +'"]').prop(
'selected', $(this).is(':checked')
).closest('select').trigger('change');

// USER CALLBACK
if( typeof instance.options.onOptionClick == 'function' ) {
instance.options.onOptionClick(instance.element, this);
}

instance._updateSelectAllText();
instance._updatePlaceholderText();
});

// BIND FOCUS EVENT
optionsWrap.on('focusin', 'input[type="checkbox"]', function(){
$(this).closest('label').addClass('focused');
}).on('focusout', 'input[type="checkbox"]', function(){
$(this).closest('label').removeClass('focused');
});

// USER CALLBACK
if( typeof instance.options.onLoad === 'function' ) {
instance.options.onLoad( instance.element );
}

// hide native select list
$(instance.element).hide();
},

/* LOAD SELECT OPTIONS */
loadOptions: function( options, overwrite, updateSelect ) {
overwrite = (typeof overwrite == 'boolean') ? overwrite : true;
updateSelect = (typeof updateSelect == 'boolean') ? updateSelect : true;

var instance = this;
var select = $(instance.element);
var optionsList = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options > ul');
var optionsWrap = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

if( overwrite ) {
optionsList.find('> li').remove();

if( updateSelect ) {
select.find('> *').remove();
}
}

var containers = [];
for( var key in options ) {
// Prevent prototype methods injected into options from being iterated over.
if( !options.hasOwnProperty( key ) ) {
continue;
}

var thisOption = options[ key ];
var container = $('<li/>');
var appendContainer = true;

// OPTION
if( thisOption.hasOwnProperty('value') ) {
if( instance.options.showCheckbox && instance.options.checkboxAutoFit ) {
container.addClass('ms-reflow');
}

// add option to ms dropdown
instance._addOption( container, thisOption );

if( updateSelect ) {
var selOption = $('<option/>', {
value: thisOption.value,
text : thisOption.name
});

// add custom user attributes
if( thisOption.hasOwnProperty('attributes') && Object.keys( thisOption.attributes ).length ) {
selOption.attr( thisOption.attributes );
}

// mark option as selected
if( thisOption.checked ) {
selOption.prop( 'selected', true );
}

select.append( selOption );
}
}
// OPTGROUP
else if( thisOption.hasOwnProperty('options') ) {
var optGroup = $('<optgroup/>', {
label: thisOption.label
});

optionsList.find('> li.optgroup > span.label').each(function(){
if( $(this).text() == thisOption.label ) {
container = $(this).closest('.optgroup');
appendContainer = false;
}
});

// prepare to append optgroup to select element
if( updateSelect ) {
if( select.find('optgroup[label="'+ thisOption.label +'"]').length ) {
optGroup = select.find('optgroup[label="'+ thisOption.label +'"]');
}
else {
select.append( optGroup );
}
}

// setup container
if( appendContainer ) {
container.addClass('optgroup');
container.append('<span class="label">'+ thisOption.label +'</span>');
container.find('> .label').css({
clear: 'both'
});

// add select all link
if( instance.options.selectGroup ) {
container.append('<a href="#" class="ms-selectall">' + instance.options.texts.selectAll + '</a>');
}

container.append('<ul/>');
}

for( var gKey in thisOption.options ) {
// Prevent prototype methods injected into options from
// being iterated over.
if( !thisOption.options.hasOwnProperty( gKey ) ) {
continue;
}

var thisGOption = thisOption.options[ gKey ];
var gContainer = $('<li/>');
if( instance.options.showCheckbox && instance.options.checkboxAutoFit ) {
gContainer.addClass('ms-reflow');
}

// no clue what this is we hit (skip)
if( !thisGOption.hasOwnProperty('value') ) {
continue;
}

instance._addOption( gContainer, thisGOption );

container.find('> ul').append( gContainer );

// add option to optgroup in select element
if( updateSelect ) {
var selOption = $('<option/>', {
value: thisGOption.value,
text : thisGOption.name
});

// add custom user attributes
if( thisGOption.hasOwnProperty('attributes') && Object.keys( thisGOption.attributes ).length ) {
selOption.attr( thisGOption.attributes );
}

// mark option as selected
if( thisGOption.checked ) {
selOption.prop( 'selected', true );
}

optGroup.append( selOption );
}
}
}
else {
// no clue what this is we hit (skip)
continue;
}

if( appendContainer ) {
containers.push( container );
}
}
optionsList.append( containers );

// pad out label for room for the checkbox
if( instance.options.checkboxAutoFit && instance.options.showCheckbox && !optionsWrap.hasClass('hide-checkbox') ) {
var chkbx = optionsList.find('.ms-reflow:eq(0) input[type="checkbox"]');
if( chkbx.length ) {
var checkboxWidth = chkbx.outerWidth();
checkboxWidth = checkboxWidth ? checkboxWidth : 15;

optionsList.find('.ms-reflow label').css(
'padding-left',
(parseInt( chkbx.closest('label').css('padding-left') ) * 2) + checkboxWidth
);

optionsList.find('.ms-reflow').removeClass('ms-reflow');
}
}

// update placeholder text
instance._updatePlaceholderText();

// RESET COLUMN STYLES
optionsWrap.find('ul').css({
'column-count' : '',
'column-gap' : '',
'-webkit-column-count': '',
'-webkit-column-gap' : '',
'-moz-column-count' : '',
'-moz-column-gap' : ''
});

// COLUMNIZE
if( select.find('optgroup').length ) {
// float non grouped options
optionsList.find('> li:not(.optgroup)').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});

// add CSS3 column styles
optionsList.find('li.optgroup').css({
clear: 'both'
}).find('> ul').css({
'column-count' : instance.options.columns,
'column-gap' : 0,
'-webkit-column-count': instance.options.columns,
'-webkit-column-gap' : 0,
'-moz-column-count' : instance.options.columns,
'-moz-column-gap' : 0
});

// for crappy IE versions float grouped options
if( this._ieVersion() && (this._ieVersion() < 10) ) {
optionsList.find('li.optgroup > ul > li').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});
}
}
else {
// add CSS3 column styles
optionsList.css({
'column-count' : instance.options.columns,
'column-gap' : 0,
'-webkit-column-count': instance.options.columns,
'-webkit-column-gap' : 0,
'-moz-column-count' : instance.options.columns,
'-moz-column-gap' : 0
});

// for crappy IE versions float grouped options
if( this._ieVersion() && (this._ieVersion() < 10) ) {
optionsList.find('> li').css({
'float': 'left',
width: (100 / instance.options.columns) +'%'
});
}
}

// update un/select all logic
instance._updateSelectAllText();
},

/* UPDATE MULTISELECT CONFIG OPTIONS */
settings: function( options ) {
this.options = $.extend( true, {}, this.options, options );
this.reload();
},

/* RESET THE DOM */
unload: function() {
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').remove();
$(this.element).show(function(){
$(this).css('display','').removeClass('jqmsLoaded');
});
},

/* RELOAD JQ MULTISELECT LIST */
reload: function() {
// remove existing options
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').remove();
$(this.element).removeClass('jqmsLoaded');

// load element
this.load();
},

// RESET BACK TO DEFAULT VALUES & RELOAD
reset: function() {
var defaultVals = [];
$(this.element).find('option').each(function(){
if( $(this).prop('defaultSelected') ) {
defaultVals.push( $(this).val() );
}
});

$(this.element).val( defaultVals );

this.reload();
},

disable: function( status ) {
status = (typeof status === 'boolean') ? status : true;
$(this.element).prop( 'disabled', status );
$(this.element).siblings('#ms-list-'+ this.listNumber +'.ms-options-wrap').find('button:first-child')
.prop( 'disabled', status );
},

/** PRIVATE FUNCTIONS **/
// update the un/select all texts based on selected options and visibility
_updateSelectAllText: function(){
if( !this.updateSelectAll ) {
return;
}

var instance = this;

// select all not used at all so just do nothing
if( !instance.options.selectAll && !instance.options.selectGroup ) {
return;
}

var optionsWrap = $(instance.element).siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

// update un/select all text
optionsWrap.find('.ms-selectall').each(function(){
var unselected = $(this).parent().find('li:not(.optgroup,.selected,.ms-hidden)');

$(this).text(
unselected.length ? instance.options.texts.selectAll : instance.options.texts.unselectAll
);
});
},

// update selected placeholder text
_updatePlaceholderText: function(){
if( !this.updatePlaceholder ) {
return;
}

var instance = this;
var select = $(instance.element);
var selectVals = select.val() ? select.val() : [];
var placeholder = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> button:first-child');
var placeholderTxt = placeholder.find('span');
var optionsWrap = select.siblings('#ms-list-'+ instance.listNumber +'.ms-options-wrap').find('> .ms-options');

// if there are disabled options get those values as well
if( select.find('option:selected:disabled').length ) {
selectVals = [];
select.find('option:selected').each(function(){
selectVals.push( $(this).val() );
});
}

// get selected options
var selOpts = [];
for( var key in selectVals ) {
// Prevent prototype methods injected into options from being iterated over.
if( !selectVals.hasOwnProperty( key ) ) {
continue;
}

selOpts.push(
$.trim( select.find('option[value="'+ instance._escapeSelector( selectVals[ key ] ) +'"]').text() )
);

if( selOpts.length >= instance.options.maxPlaceholderOpts ) {
break;
}
}

// UPDATE PLACEHOLDER TEXT WITH OPTIONS SELECTED
placeholderTxt.text( selOpts.join( ', ' ) );

if( selOpts.length ) {
optionsWrap.closest('.ms-options-wrap').addClass('ms-has-selections');

// USER CALLBACK
if( typeof instance.options.onPlaceholder == 'function' ) {
instance.options.onPlaceholder( instance.element, placeholderTxt, selOpts );
}
}
else {
optionsWrap.closest('.ms-options-wrap').removeClass('ms-has-selections');
}

// replace placeholder text
if( !selOpts.length ) {
placeholderTxt.text( instance.options.texts.placeholder );
}
// if copy is larger than button width use "# selected"
else if( (placeholderTxt.width() > placeholder.width()) || (selOpts.length != selectVals.length) ) {
placeholderTxt.text( selectVals.length + instance.options.texts.selectedOptions );
}
},

// Add option to the custom dom list
_addOption: function( container, option ) {
var instance = this;
var optionNameText = $('<div/>').html( option.name ).text();

var thisOption = $('<label/>', {
for : 'ms-opt-'+ msOptCounter
}).html( option.name );

var thisCheckbox = $('<input>', {
type : 'checkbox',
title: optionNameText,
id : 'ms-opt-'+ msOptCounter,
value: option.value
});

// add user defined attributes
if( option.hasOwnProperty('attributes') && Object.keys( option.attributes ).length ) {
thisCheckbox.attr( option.attributes );
}

if( option.checked ) {
container.addClass('default selected');
thisCheckbox.prop( 'checked', true );
}

thisOption.prepend( thisCheckbox );

var searchTerm = '';
if( instance.options.searchOptions.searchText ) {
searchTerm += ' ' + optionNameText.toLowerCase();
}
if( instance.options.searchOptions.searchValue ) {
searchTerm += ' ' + option.value.toLowerCase();
}

container.attr( 'data-search-term', $.trim( searchTerm ) ).prepend( thisOption );

msOptCounter = msOptCounter + 1;
},

// check ie version
_ieVersion: function() {
var myNav = navigator.userAgent.toLowerCase();
return (myNav.indexOf('msie') != -1) ? parseInt(myNav.split('msie')[1]) : false;
},

// escape selector
_escapeSelector: function( string ) {
if( typeof $.escapeSelector == 'function' ) {
return $.escapeSelector( string );
}
else {
return string.replace(/[!"#$%&'()*+,.\/:;<=>?@[\\\]^`{|}~]/g, "\\$&");
}
}
};

// ENABLE JQUERY PLUGIN FUNCTION
$.fn.multiselect = function( options ){
if( !this.length ) {
return;
}

var args = arguments;
var ret;

// menuize each list
if( (options === undefined) || (typeof options === 'object') ) {
return this.each(function(){
if( !$.data( this, 'plugin_multiselect' ) ) {
$.data( this, 'plugin_multiselect', new MultiSelect( this, options ) );
}
});
} else if( (typeof options === 'string') && (options[0] !== '_') && (options !== 'init') ) {
this.each(function(){
var instance = $.data( this, 'plugin_multiselect' );

if( instance instanceof MultiSelect && typeof instance[ options ] === 'function' ) {
ret = instance[ options ].apply( instance, Array.prototype.slice.call( args, 1 ) );
}

// special destruct handler
if( options === 'unload' ) {
$.data( this, 'plugin_multiselect', null );
}
});

return ret;
}
};
}(jQuery));
$(function(){
$('select[multiple]').multiselect();
$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});
</script>

</html>

Form:Teacher html

2020-03-02T14:44:47Z

Gloria.maritan:

Form:Teacher html

2020-03-02T14:43:43Z

Gloria.maritan:

Form:Teacher html

2020-03-02T14:42:41Z

Gloria.maritan:

Form:Organization html

2020-03-02T13:21:39Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Logo
</span>


<div class="ci_form_section">
<span class="ci_form_section_label">
Type
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
<option>1996</option>
<option>1995</option>
<option>1994</option>
<option>1993</option>
<option>1992</option>
<option>1991</option>
<option>1990</option>
<option>1989</option>
<option>1988</option>
<option>1987</option>
<option>1986</option>
<option>1985</option>
<option>1984</option>
<option>1983</option>
<option>1982</option>
<option>1981</option>
<option>1980</option>
<option>1979</option>
<option>1978</option>
<option>1977</option>
<option>1976</option>
<option>1975</option>
<option>1974</option>
<option>1973</option>
<option>1972</option>
<option>1971</option>
<option>1970</option>
<option>1969</option>
<option>1968</option>
<option>1967</option>
<option>1966</option>
<option>1965</option>
<option>1964</option>
<option>1963</option>
<option>1962</option>
<option>1961</option>
<option>1960</option>
<option>1959</option>
<option>1958</option>
<option>1957</option>
<option>1956</option>
<option>1955</option>
<option>1954</option>
<option>1953</option>
<option>1952</option>
<option>1951</option>
<option>1950</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration ID
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[registration id]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Official website
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[official website]" value="">

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Organization html

2020-03-02T13:07:26Z

Gloria.maritan:

<html>
<div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px">

<div class="ci_form" action="" method="post">





<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The name of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Name
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[Title]" value="">

<span class="ci_form_section_help">
The type of the organization.
</span>

</div>


<div class="ci_form_section">
<span class="ci_form_section_label">
Country
</span>

<select id="select_countries" class="ci_form_input" name="Form announcement[Target country]">
<option></option>

<option>Afghanistan</option>
<option>Albania</option>
<option>Algeria</option>
<option>American Samoa</option>
<option>Andorra</option>
<option>Angola</option>
<option>Anguilla</option>
<option>Antigua and Barbuda</option>
<option>Argentina</option>
<option>Armenia</option>
<option>Aruba</option>
<option>Australia</option>
<option>Austria</option>
<option>Azerbaijan</option>
<option>Bahamas</option>
<option>Bahrain</option>
<option>Bangladesh</option>
<option>Barbados</option>
<option>Belarus</option>
<option>Belgium</option>
<option>Belize</option>
<option>Benin</option>
<option>Bermuda</option>
<option>Bhutan</option>
<option>Bolivia</option>
<option>Bosnia and Herzegovina</option>
<option>Bosnia and Herzegovina (Bosnia-Herzegovina)</option>
<option>Botswana</option>
<option>Brazil</option>
<option>Brunei</option>
<option>Bulgaria</option>
<option>Burkina Faso</option>
<option>Burundi</option>
<option>Cambodia</option>
<option>Cameroon</option>
<option>Canada</option>
<option>Cape Verde</option>
<option>Cayman Islands</option>
<option>Central African Republic</option>
<option>Chad</option>
<option>Chile</option>
<option>Colombia</option>
<option>Comoros</option>
<option>Congo</option>
<option>Cook Islands</option>
<option>Costa Rica</option>
<option>Country</option>
<option>Croatia</option>
<option>Cuba</option>
<option>Cyprus</option>
<option>Czech Republic</option>
<option>Democratic Republic of Congo</option>
<option>Denmark</option>
<option>Djibouti</option>
<option>Dominica</option>
<option>East Timor</option>
<option>Dominican Republic</option>
<option>Ecuador</option>
<option>Egypt</option>
<option>El Salvador</option>
<option>Equatorial Guinea</option>
<option>Eritrea</option>
<option>Estonia</option>
<option>Ethiopia</option>
<option>Falkland Islands</option>
<option>Faroe Islands</option>
<option>Fiji</option>
<option>Finland</option>
<option>France</option>
<option>French Guiana</option>
<option>French Polynesia</option>
<option>Gabon</option>
<option>Gambia</option>
<option>Georgia</option>
<option>Germany</option>
<option>Ghana</option>
<option>Gibraltar</option>
<option>Greece</option>
<option>Greenland</option>
<option>Grenada</option>
<option>Guadeloupe</option>
<option>Guam</option>
<option>Guatemala</option>
<option>Guernsey</option>
<option>Guinea</option>
<option>Guinea-Bissau</option>
<option>Guyana</option>
<option>Haiti</option>
<option>Honduras</option>
<option>Hong Kong</option>
<option>Hungary</option>
<option>Iceland</option>
<option>India</option>
<option>Indonesia</option>
<option>Iran</option>
<option>Iraq</option>
<option>Ireland</option>
<option>Israel</option>
<option>Italy</option>
<option>Ivory Coast</option>
<option>Jamaica</option>
<option>Japan</option>
<option>Jersey</option>
<option>Jordan</option>
<option>Kazakhstan</option>
<option>Kenya</option>
<option>Kiribati</option>
<option>Kosovo</option>
<option>Kuwait</option>
<option>Kyrgyzstan</option>
<option>Laos</option>
<option>Latvia</option>
<option>Lebanon</option>
<option>Lesotho</option>
<option>Liberia</option>
<option>Libya</option>
<option>Liechtenstein</option>
<option>Lithuania</option>
<option>Luxembourg</option>
<option>Macau</option>
<option>Madagascar</option>
<option>Malawi</option>
<option>Malaysia</option>
<option>Maldives</option>
<option>Mali</option>
<option>Malta</option>
<option>Marshall Islands</option>
<option>Martinique</option>
<option>Mauritania</option>
<option>Mauritius</option>
<option>Mexico</option>
<option>Micronesia</option>
<option>Moldova</option>
<option>Monaco</option>
<option>Mongolia</option>
<option>Montenegro</option>
<option>Montserrat</option>
<option>Morocco</option>
<option>Mozambique</option>
<option>Myanmar</option>
<option>Namibia</option>
<option>Nauru</option>
<option>Nepal</option>
<option>Netherlands</option>
<option>Netherlands Antilles</option>
<option>New Caledonia</option>
<option>New Zealand</option>
<option>Nicaragua</option>
<option>Niger</option>
<option>Nigeria</option>
<option>Niue</option>
<option>Norfolk Island</option>
<option>North Korea</option>
<option>Norway</option>
<option>Oman</option>
<option>Pakistan</option>
<option>Palau</option>
<option>Palestinian Authority</option>
<option>Panama</option>
<option>Papua New Guinea</option>
<option>Paraguay</option>
<option>People's Republic of China</option>
<option>Peru</option>
<option>Philippines</option>
<option>Poland</option>
<option>Portugal</option>
<option>Puerto Rico</option>
<option>Qatar</option>
<option>Republic of Macedonia</option>
<option>Reunion/Mayotte</option>
<option>Romania</option>
<option>Russia (Russian Federation)</option>
<option>Rwanda</option>
<option>Samoa</option>
<option>San Marino</option>
<option>Saudi Arabia</option>
<option>Senegal</option>
<option>Serbia</option>
<option>Seychelles</option>
<option>Sierra Leone</option>
<option>Singapore</option>
<option>Slovakia (Slovak Republic)</option>
<option>Slovenia</option>
<option>Solomon Islands</option>
<option>Somalia</option>
<option>South Africa</option>
<option>South Korea</option>
<option>South Sudan</option>
<option>Spain</option>
<option>Sri Lanka</option>
<option>St Kitts and Nevis</option>
<option>St Lucia</option>
<option>St Pierre and Miquelon</option>
<option>St Vincent Grenadines</option>
<option>Sudan</option>
<option>Suriname</option>
<option>Swaziland</option>
<option>Sweden</option>
<option>Switzerland</option>
<option>Syria</option>
<option>São Tomé and Príncipe</option>
<option>Taiwan</option>
<option>Tajikistan</option>
<option>Tanzania</option>
<option>Thailand</option>
<option>Togo</option>
<option>Tonga</option>
<option>Trinidad and Tobago</option>
<option>Tunisia</option>
<option>Turkey</option>
<option>Turkmenistan</option>
<option>Turks and Caicos Islands</option>
<option>Tuvalu</option>
<option>Uganda</option>
<option>Ukraine</option>
<option>United Arab Emirates</option>
<option>United Kingdom</option>
<option>United States (USA)</option>
<option>Uruguay</option>
<option>Uzbekistan</option>
<option>Vanuatu</option>
<option>Venezuela</option>
<option>Vietnam</option>
<option>Yemen</option>
<option>Zambia</option>
<option>Zimbabwe</option>
</select>
<span class="ci_form_section_help">
Where is the organization based?
</span>

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
City, town or village of the organization
</span>

<input class="ci_form_input" type="text" placeholder="" name="Form organization[City,town or village of the organization]" value="">

</div>

<div class="ci_form_section">
<span class="ci_form_section_label">
Registration date
</span>

<table><tr><td>
<select class="cultura_italiana_form_input" name="Form announcement[deadline][day]">
<option></option>
<option>1</option>
<option>2</option>
<option>3</option>
<option>4</option>
<option>5</option>
<option>6</option>
<option>7</option>
<option>8</option>
<option>9</option>
<option>10</option>
<option>11</option>
<option>12</option>
<option>13</option>
<option>14</option>
<option>15</option>
<option>16</option>
<option>17</option>
<option>18</option>
<option>19</option>
<option>20</option>
<option>21</option>
<option>22</option>
<option>23</option>
<option>24</option>
<option>25</option>
<option>26</option>
<option>27</option>
<option>28</option>
<option>29</option>
<option>30</option>
<option>31</option>
</select>

</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][month]">
<option></option>
<option value="1">January</option>
<option value="2">February</option>
<option value="3">March</option>
<option value="4">April</option>
<option value="5">May</option>
<option value="6">June</option>
<option value="7">July</option>
<option value="8">August</option>
<option value="9">September</option>
<option value="10">October</option>
<option value="11">November</option>
<option value="12">December</option>
</select>
</td><td>

<select class="cultura_italiana_form_input" name="Form announcement[deadline][year]">
<option></option>
<option>2020</option>
<option>2019</option>
<option>2018</option>
<option>2017</option>
<option>2016</option>
<option>2015</option>
<option>2014</option>
<option>2013</option>
<option>2012</option>
<option>2011</option>
<option>2010</option>
<option>2009</option>
<option>2008</option>
<option>2007</option>
<option>2006</option>
<option>2005</option>
<option>2004</option>
<option>2003</option>
<option>2002</option>
<option>2001</option>
<option>2000</option>
<option>1999</option>
<option>1998</option>
<option>1997</option>
</select>
</td></tr></table>

<span class="ci_form_section_help">
</span>

</div>



<div class="ci_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="ci_form_submit" type="submit" value="save">
</div>

</div>
</div>

<script>

$(function(){

$('#select_countries option:contains("</html>{{#ci_visitorCountry:}}<html>")').prop('selected',true);

$('.ci_form textarea').autosize();

});

</script>

</html>

Form:Teacher html

2020-03-02T12:17:27Z

Gloria.maritan:

Form:Teacher html

2020-03-02T12:14:23Z

Gloria.maritan:

Form:Teacher html

2020-03-02T12:10:06Z

Gloria.maritan: Created page with "<html> <div class="ci_form_container" style="max-width:500px;background:;border:0px solid #ccc;box-shadow: #ccc 2px 2px 4px 4px"> <div class="ci_form" action="" method="post"..."

Form:Opportunity html

2020-02-26T15:19:27Z

Gloria.maritan:

<div id="wikiPreview" style="display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;"></div>

<html>
<div class="cultura_italiana_form" style="width:360px;text-align:;padding:24px">
<div style="margin:auto">
<form action="" method="post">

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title" style="margin-top:6px">
Organization
</span>
<input class="cultura_italiana_form_input" type="text" placeholder="Title" name="Form opportunity[Title of the announcement]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Provider" name="Form opportunity[Provider of the announcement]" value="">
</span>

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title">
Description
</span>
<textarea name="Form opportunity[Description]" class="form_announcement_input" style="width:100%" rows="4">
</textarea>
</span>

</span>
<input class="cultura_italiana_form_input" type="text" placeholder="Funding" name="Form announcement[Funding of the announcement]" value="">

<select class="cultura_italiana_form_input" name="Form announcement[Target Country of the announcement]>
<option value="AF">AF</option>
<option value="AL">AL</option>
<option value="DZ">DZ</option>
<option value="AS">AS</option>
<option value="AD">AD</option><option value="AF">AF</option>
<option value="AO">AO</option>
<option value="AI">AI</option>
<option value="AG">AG</option>
<option value="AR">AR</option><option value="AF">AF</option>
<option value="AM">AM</option>
<option value="AW">AW</option>
<option value="AU">AU</option>
<option value="AT">AT</option>
<option value="AZ">AZ</option>
<option value="BS">BS</option>
<option value="BH">BH</option>
<option value="BD">BD</option>
<option value="BB">BB</option>
<option value="BY">BY</option>
<option value="BE">BE</option>
<option value="BZ">BZ</option>
<option value="BJ">BJ</option>
<option value="BM">BM</option>
<option value="BT">BT</option>
<option value="BO">BO</option>
<option value="BA">BA</option>
<option value="BK">BK</option>
<option value="BW">BW</option>
<option value="BR">BR</option>
<option value="BN">BN</option>
<option value="BG">BG</option>
<option value="BF">BF</option>
<option value="BI">BI</option>
<option value="K">K</option>
<option value="H">H</option>
<option value="CM">CM</option>
<option value="CA">CA</option>
<option value="CV">CV</option>
<option value="KY">KY</option>
<option value="CF">CF</option>
<option value="TD">TD</option>
<option value="CL">CL</option>
<option value="CO">CO</option>
<option value="KM">KM</option>
<option value="CG">CG</option>
<option value="CK">CK</option>
<option value="CR">CR</option>
<option value="ISO">ISO</option>
<option value="HR">HR</option>
<option value="CU">CU</option>
<option value="CY">CY</option>
<option value="CZ">CZ</option>
<option value="CD">CD</option>
<option value="DK">DK</option>
<option value="DJ">DJ</option>
<option value="DM">DM</option>
<option value="DO">DO</option>
</select>
<input class="cultura_italiana_form_input" type="text" placeholder="Deadline" name="Form opportunity[Deadline country of the announcement]" value="">
</span>

<span class="cultura_italiana_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="cultura_italiana_form_submit" type="submit" value="save">

</form>
</div>
</div>
</html>

Form:Opportunity html

2020-02-26T14:51:52Z

Gloria.maritan:

Form:Opportunity html

2020-02-26T14:26:35Z

Gloria.maritan: Created page with "<div id="wikiPreview" style="display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;"></div> <html> <div class="cultura_italiana_form" sty..."

<div id="wikiPreview" style="display: none; padding-bottom: 25px; margin-bottom: 25px; border-bottom: 1px solid #AAAAAA;"></div>

<html>
<div class="cultura_italiana_form" style="width:360px;text-align:;padding:24px">
<div style="margin:auto">
<form action="" method="post">

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title" style="margin-top:6px">
Organization
</span>
<input class="cultura_italiana_form_input" type="text" placeholder="Title" name="Form opportunity[Title of the opportunity]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Who grants this opportunity" name="Form opportunity[Who grants this opportunity?]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Beneficiaries" name="Form opportunity[Beneficiaries of the opportunity]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Contacts of the key person" name="Form opportunity[Contacts of the key person for the opportunity]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Websites and links useful for the opportunity" name="Form opportunity[Websites and links useful for the opportunity]" value="">
<input class="cultura_italiana_form_input" type="text" placeholder="Deadline(s) of the opportunity" name="Form opportunity[Deadline(s) of the opportunity]" value="">
</span>

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title">
Description of objectives and activities
</span>
<textarea name="Form opportunity[Description of objectives and activities]" class="form_opportunity_input" style="width:100%" rows="4">
</textarea>
</span>

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title">
Participant profile
</span>
<textarea name="Form opportunity[Participant profile]" class="form_opportunity_input" style="width:100%" rows="4">
</textarea>
</span>

<span class="cultura_italiana_form_section">
<span class="cultura_italiana_form_section_title">
Participant profile
</span>
<textarea name="Form opportunity[Benefits]" class="form_opportunity_input" style="width:100%" rows="4">
</textarea>
</span>

<span class="cultura_italiana_form_section_submit">
<input type="hidden" name="wpSave" value="Save page">
<input type="hidden" name="pf_free_text" value="!free_text!">

<input class="cultura_italiana_form_submit" type="submit" value="save">

</form>
</div>
</div>
</html>

Istituto cultura italiana NCLE/Logo & brand

2020-02-10T16:10:05Z

Gloria.maritan:

<gallery mode="packed">
File:Logo-d (1).jpg|thumb|logotipo
File:Logo-simplified-2-blur-3.jpg|thumb|pittogramma
</gallery>

Istituto cultura italiana NCLE/Logo & brand

2020-02-10T16:08:36Z

Gloria.maritan:

<gallery mode="packed">
File:Logo-d (1).jpg|logotipo
File:Logo-simplified-2-blur-3.jpg|pittogramma
</gallery>

Istituto cultura italiana NCLE/Location

2020-02-10T16:04:51Z

Gloria.maritan:

The Institute is located in M. Kostava st. 68, (at public Georgian Broadcaster, III building, II floor) besides Heroes square.
Here are the [https://www.google.com/maps/search/?api=1&query=41.7136371,44.7788807 coordinates on the map].

<gallery mode="packed">
File:9 20190114 161729.jpg|front
File:20190206 141708.jpg|view
File:Office google map-1024x632.jpg|maps
</gallery>

Istituto cultura italiana NCLE/Location

2020-02-10T16:00:45Z

Gloria.maritan:

The Institute is located in M. Kostava st. 68, (at public Georgian Broadcaster, III building, II floor) besides Heroes square.
Here are the [https://www.google.com/maps/search/?api=1&query=41.7136371,44.7788807 coordinates on the map].

<gallery mode="packed">
File:9 20190114 161729.jpg|thumb
File:20190206 141708.jpg|thumb
File:Office google map-1024x632.jpg|thumb
</gallery>

Istituto cultura italiana NCLE/Teachers

2020-02-10T15:50:56Z

Gloria.maritan:

<section begin="chapter1" />

Here are the teachers and other members of our organization who have provided language and culture lessons along the years. The list also includes volunteers of Erasmus+ and ESC (European solidarity corps) projects who have contributed to the educational offer of our organization for intercultural and informal language exchange.<section end="chapter1" />

==[[Istituto cultura italiana (NGO)/Teachers/Manana Jokharidze|Manana Jokharidze]]==
{{:Istituto cultura italiana (NGO)/Teachers/Manana Jokharidze}}
==[[Istituto cultura italiana (NGO)/Teachers/Luca Speziale|Luca Speziale]]==
{{:Istituto cultura italiana (NGO)/Teachers/Luca Speziale}}

==[[Istituto cultura italiana (NGO)/Teachers/Gloria Maritan|Gloria Maritan]]==
{{:Istituto cultura italiana (NGO)/Teachers/Gloria Maritan}}

Istituto cultura italiana NCLE/Teachers/Luca Speziale

2020-02-10T15:48:51Z

Gloria.maritan:

<section begin="chapter1" /> [[File:Luca cv picture.jpg|top|frameless|upright=0.5|left|link=|alt=]] <section end="chapter1" />
[[Istituto cultura italiana (NGO)/Teachers/Luca Speziale|Luca Speziale]] holds a degree in Political sciences (University “La Sapienza”, Rome, 2018) and a master in European planning techniques (Rome, 2019). He has experience as fundraiser (Xena marketing, Rome 2018), project manager (Progeu, Rome 2018-2019) and as supporter for the implementation of a Local Action Group (Fondazione Logos Pa, Rome 2019). He has participated to short term Erasmus projects in Turkey and Macedonia, he speaks English, and as passionate reader he has created in 2017 the literary blog “smugglingarts” which can be found [https://smugglingarts.blogspot.com/ here].

<html>
<div style="clear:both"></div>
</html>